Tag Archives: soldier

The Warrior Returns

5 Sep

2016 August 1

I started working with this particular model some time ago, when a young student with plans to join the army. I have masses of drawings of him which I developed into many prints – monotypes, etchings and even the occasional painting. We’ve had a gap of several years while he has been away travelling as a professional soldier but we met up again recently and hope to resume our professional relationship in the future. I did a couple of drawings, just some quick ones to familiarise myself with his features. It takes a while to get back into working with someone after a gap, I’m a bit rusty but now I have some drawings to refer to, I can see where I’ve gone wrong and what I need to do.

 

Tea with me at The Workers Gallery – a chance to see my new solo show with lashings of tea and home-made cakes in the gorgeous Cynon Valley.

Invitation

There’s more of my art to be seen in my online Gallery in Artfinder. Please click here to visit. Thank you.

 

 

 

Spots and Twists

15 Jan

warrior spots

I like working on direct line (trace) monotypes. It’s an immediate and spontaneous way to get an original print and the quality of the line is soft and smudgy. I also like to work with models in poses that are twisted or contrapposto, they have a dynamic interplay of forms and planes that I find more interesting that passive standing poses. I particularly enjoy setting the model against or within a pattered  artefact like a rug or blanket. This model is a young soldier who often models for our life drawing group when he’s on leave.

The monotype is printed from a perspex (plexiglass, acrylic sheet) plate coated with black oil-based litho / relief ink thinned with a little extender. It’s important to roll the ink super thin otherwise you’ll get huge black smudges everywhere. Once there is a very thin layer of ink on the perspex, a sheet of fairly thin paper (a good cartridge paper around 150 gsm will be fine) is placed on top and a pencil drawing done on the top of the paper. The pencil needs to be kept sharp. When the paper is lifted off the perspex, the ink will have stuck to the places the pencil touched, creating an unique monotype. It’s a very good method for artists who love drawing.

Drawn To Print

27 Aug

There’s an interesting programme running at Swansea Print Workshop [SPW] at the moment, involving three residencies from international printmakers who base their art practice on drawing. It’s called Drawn To Print. As well as a print studio set-up,  SPW also has a thriving life-drawing group and many artist/members who use their drawing skills extensively in the production of their original prints. As I do. I like to work directly from models in the life drawing sessions, usually directly into a sketchbook, then I rework the drawings, scaling them up to the size of my monotype plate (which is a posh name for my bit of perspex). Because I like to keep the drawings as original pieces in their own right, I usually do a very basic tracing of the form and use this beneath my perspex plate as the basis of my monotype.

The technique I use is here on my website. This is a young model who is also a soldier. He’s an excellent model and I’ve done a lot of work with him.

More Male Model

6 Apr

Charcoal drawing: male head.

The drawing I posted yesterday of one of our male models from life drawing group got quite a lot of comments, so by popular request here are some more drawings of him. He’s a young soldier who has seen action in Afghanistan and when he’s home he likes to relax by doing a spot of life modelling. Being young and fit he’s able to get into some very awkward poses and also hold poses for a long time. He even posed in a handstand once!

Ink drawing: in the life studio.

I’m thinking of turning this drawing into a silkscreen print, I think it’s quite funny and a nice snapshot of a life drawing session :).

 

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