WTAF? Revisited.

The photo shows five antique wooden typeface blocks that spell out the acronym W T A F and a question mark. The letters are set back to front in a metal frame, a chase, and various pieces of metal furniture and a couple of groynes have been used to hold the letters firm ready for printing.
Setting The Type.

A couple of weeks ago I had a session on the Columbian Press at Swansea Print Workshop, using some antique and vintage wooden Letterpress. It didn’t work out too well, the letters were very dirty with a build up of ink and gunge over many years. I cleaned them up with vegetable oil and fine wire wool and had another go, rainbow rolling Cranfield Safewash Relief inks. Much better results – compare for yourself here.

Oil-based relief ink over a background of silkscreened acrylic.

The ink is much more even with fewer flaws. The letters are still quirky, the edges are a bit wobbly after many years of use, but the print quality is so much better now after a good clean. It’s a lesson learnt. Clean before printing as well as after.

A rich patina.

The cleaning process is gentle so while it removes the accumulated gunk of decades, it still leaves a lovely rich patina on the wood which is beautiful to look at in its own right.

Published by Rosie Scribblah

I'm an artist / printmaker / scribbler. I love drawing and all the geeky stuff associated with printmaking, working in a figurative style. I live in Wales with husband and demented cats. And my real name is Rose Davies :D

2 thoughts on “WTAF? Revisited.

Leave a reply to Rosie Scribblah Cancel reply