Husb and I were having a stroll on one of the few sunny days so far this year. I took this photo of reflections in the windows of the historic Old Guildhall in Swansea. It’s pre-Victorian and after the New Guildhall was built in the 1930s it became a school and changed again towards the end of the 20th Century into the Dylan Thomas Arts Centre. Of course, there’s a Swansea Seagull perched on top!
I was strolling along Princess Way in Swansea last evening and saw this gorgeous reflection of Saint Mary’s Church and some trees in the glass frontage of a building. I took a photo and today I uploaded it into Adobe Photoshop, cropped it and shoved it into a “Cutout” filter. I like it, it has the feel of a screenprint about it.
Yeah. Okay. It’s YOUR bed. Anything for an easy life. What do I know? I’m just a trained monkey!
In case you’re interested, the wallpaper is Laura Ashley and the blanket by Melin Tregwynt. And I got them both in a sale …. which makes me happy 😀 And the cat is Sparta Puss.
This screenprint I did inspired by the Miners Wives in the Miners Strike of 1984-1985 has been accepted into the Miners Imprint exhibition at Taliesin Arts Centre, beginning tomorrow (April 20th) from 13.00 – 15.00.
The work was commissioned by Swansea University to commemorate the 50th anniversary of the creation of the Miner’s Library and 21 artworks were chosen for this exhibition – you can see them here, some are for sale. It’s such a privilege to have my work included in this.
When I’m carving a lino block I like to check on it’s progress regularly. I do this by taking a rubbing with a piece of white paper and a block of graphite. Still a lot of cutting to do on this one though.
It was twelve years ago, in a Moment of Madness. I worked in oil bars onto a huge piece of cardboard stapled to the wall of my studio. I don’t know why I came over all Abstract Expressionist and I haven’t done it since. I didn’t really know where to go with it so it eventually ended up as mulch on my allotment.
I was rummaging through my archive files and spotted this portrait of fellow artist Patti McKenna that I did back in 2014 for an exhibition in Fringe Arts Bath. I’ve never really thought of myself as much of a painter, or portraitist, but looking back at this after 10 years, I really like it and think that maybe I should do some more.
Here’s a sketch of Sparta Puss I did during the first lockdown in 2020. She got used to me being around all the time and was a bit miffed when I went back to work. Yes, she IS that chubby!
I did some teaching at GS Artists in Swansea today, as part of the 9-to-90 Creative Community programme, looking at charcoal and landscape. I used images by three different landscape artists, in black and white, Glenys Cour, David Hockney and Kyffin Williams, to examine the difference in styles. I did this demonstration drawing inspired by the Glenys Cour image, using different types of charcoal and techniques to get texture and intensity.
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