Someone asked me about the difference in the final prints made by blocks in different materials so here are three I did earlier :). This top one is hacked from a piece of plywood. It’s very rough and choppy because the wood splinters when you attack it with the cutting tools and it alsoContinue reading “Block Block Block”
Tag Archives: printmaking
Strop!!!
I’m carrying on with woodcuts for a while, hacking away at lumps of plywood all day at the studio. It’s important to keep my cutting tools sharp; if I keep hacking when they get blunt, it hurts my wrist. I use a leather slipstrop and a bar of waxy abrasive to keep them sharp.Continue reading “Strop!!!”
First Proof
Been hacking away at a lump of old plywood for a couple of days and took a first proof of it today. I used Daler Rowney block printing medium mixed with Daler Rowney lamp black Georgian oil paint and took the print using a Japanese baren onto Fabriano Accademica 120 gsm paper. I can’tContinue reading “First Proof”
I Got More Wood…
I’ve been hacking away at my lump of old plywood today. I darkened the outline drawing I did yesterday with a greasy charcoaly thing from Daler Rowney – I should be more technical I know, but I lost the box it came in – and then I hacked the white bits out of it.Continue reading “I Got More Wood…”
I’ve Got Wood…
…..and I know how to use it :). I’ve got a stack of plywood offcuts hanging around the studio so I thought I’d do some woodcuts from my sketches. I’ve decided to work on male nudes for the foreseeable future and I’ve just completed a series of three very large manier noir drawings, including oneContinue reading “I’ve Got Wood…”
I Want A Steamroller!
Tonight I went to Swansea Print Workshop for an artist talk by the new printmaker-in-residence, Fiona Kelly from Cork in the Republic of Ireland. She works mostly in block (relief) printmaking technique, basing her practice on drawing. Fantastic stuff. But best of all for me was a collaboration she showed us with some otherContinue reading “I Want A Steamroller!”
Another Block Bites The Dust
And here’s another one in my series of block prints ‘Voyeur’. Here it is inked up just before printing, using Daler-Rowney block printing medium and Georgian lamp black oil paint, ratio two thirds to a third, taken with a bamboo Japanese baren onto Fabriano Accademica 120 gsm.
Proofing!
I spent the early part of the week cutting blocks and today I started to take proof prints. The proof is a trial print to see that the block [or plate or screen] is the way you want it to be and it gives you a chance to make alterations, like a bit of recutting.Continue reading “Proofing!”
Blocks And Cuts
I’ve been working on a set of nine block prints for some time now, picking them up and down when I’ve got time. I’ve proof printed the first three of the series, that I’ve called Voyeur and I spent this week cutting the remaining 6 blocks. Here they are, with my ‘swag’ Convers. I’ll proofContinue reading “Blocks And Cuts”
Draw, Print, Draw
Carrying on from yesterday’s bloggage about the Drawn To Print project, I’ve been immersed in drawing today too. The drawing on the left is one I did a couple of years ago, on BFK Rives 250 gsm paper coloured with metallic System 3 acrylic and drawn in Faber Castell Pitt pens. I then used itContinue reading “Draw, Print, Draw”
scribblah 