Portrait Drawing Week 3: No Bags And Wrinkles.

A couple of weeks ago I mentioned that I’m back at life drawing at Swansea Print Workshop after a long, long gap (see here) and I’m using these sessions to practice portrait drawing. I’ve set myself some goals and I’ll probably be doing this every Thursday evening for the next year or so. These areContinue reading “Portrait Drawing Week 3: No Bags And Wrinkles.”

#Caturday: Winter Window

It’s #Caturday Saturday again and here that little block I cut last week, printed in black with a touch of gold foil chine collé highlighting the moon. The foil is from sweets (candies); there are fewer manufacturers making them these days, I find them in upmarket retailers and traditional old-fashioned sweet shops.

A Mari Lwyd Trio

I carved this Mari Lwyd vinyl block a couple of years ago and now and again I have a bit of a play with it. These three are printed with chine collé, which is a way of adding colour without cutting and printing lots of blocks. I’ve used lovely foils from sweets, there are stillContinue reading “A Mari Lwyd Trio”

Portrait Drawing: Week 2

A couple of weeks ago I mentioned that I’m back at life drawing after a long, long gap (see here) and I’m using these sessions to practice portrait drawing. I’ve set myself some goals and I’ll probably be doing this every Thursday evening for the next year or so. These are my sketches from weekContinue reading “Portrait Drawing: Week 2”

The Cornflour Trick!

I’ve seen this trick on social media, using cornflour to take a look at a carved lino block, to see if it’s ready or needs more cutting. This is the first time I’ve tried it and it works! Yeah! I can see one or two bits on the cat block where I might do aContinue reading “The Cornflour Trick!”

Proofing A Portrait Print

I transferred my portrait drawing to a block of traditional grey lino this week, carved it and took the first proof print from it. I’m quite pleased with the resule. I’m being very strict with time and I did this process from the first pencil mark on paper, through 9 drawings, carving the block andContinue reading “Proofing A Portrait Print”

Winter Cat

I’ve got a community arts teaching session coming up this week, we’ll be doing Xmas / Winter-themed lino cuts. I’m getting one prepared in advance, I’ve drawn the design onto a piece of traditional grey lino, ready to cut. This traditional material is made from linseed oil, pine resin and wood flour onto a juteContinue reading “Winter Cat”

Transfer And Carve

Last week I did a series of portrait drawings at Swansea Print Workshop’s Life Drawing Group. I chose the best likeness, the last drawing as it happened, and I transferred it to a block of traditional grey lino and then started carving. The drawings took 2.5 hours, the transfer about 15 minutes and so farContinue reading “Transfer And Carve”

Sketchbook Archives: 49

Here’s a selection of scribbles from my sketchbooks in September 2014, I was busy out and about sketching that month. I must find more time to draw in public again.