I’ve been working on a typographic linocut recently, a collaboration with the awesome Welsh rapper and multi-disciplinary artist Rufus Mufasa and nine other women artists in Wales . She’s about to release her new bilingual album Tri(ger) Warning(s), which has been steered by a number of key Welsh language words. Each artist has chosen oneContinue reading “Metallic Bits …”
Category Archives: Printmaking
Smiling And Splendid Women.
I’m still trying out some ideas for my next artwork, which I’m basing on the South Wales Miner’s Wives in the Miner’s Strike of 1984 / 1985. I’m taking inspiration from a documentary video made at the time by the late Professor Jen Wilson. The film is on YouTube and although a bit clunky byContinue reading “Smiling And Splendid Women.”
An Archaic Artform.
I’ve been cutting some small experimental lino blocks to try out different ideas for a new piece of artwork based on the Welsh Miner’s Wives in the Miner’s Strikes in the 1980s. I cut one based on a newspaper photograph and one featuring text from a song sung by women on the picket lines. IContinue reading “An Archaic Artform.”
Inspired By P.P.P.
Back to Swansea Print Workshop this afternoon, third day in a row, carrying on with little experimental blocks researching my next print about the Miner’s Wives in the 1980s Miner’s Strike. I want to put some text into my work so I had a bit of a play with a lino block and some letteringContinue reading “Inspired By P.P.P.”
Re-Visiting Monotype.
I spent a happy morning down at Swansea Print Workshop today, re-visiting a technique I used to do loads – it’s called the 3-Colour Reduction Monotype (or 3-Colour Stacking Monotype). I haven’t done this since before Covid19, over 4 years, maybe longer. Why does time shoot by so fast? I based this monotype on aContinue reading “Re-Visiting Monotype.”
A Monotype Afternoon
Left to right: Using a 4H Reeves pencil; a Faber Castell Pitt 4B graphite stick: a KohiNoor 2B graphite block. I spent a happy afternoon at Swansea Print Workshop today, doing some direct line monotypes (aka linear, trace). It’s a technique I used to do lots, but haven’t for ages, I don’t know why. I’mContinue reading “A Monotype Afternoon”
Archive: A Collage In Cardiff.
I’m flicking through my archives, this is from 2017 when I went off to Cardiff to work en plein air, in the street in Mill Lane. Unusually for me I decided to work with collage. I don’t find collage particularly intuitive, it’s quite difficult for me as I normally draw everything. But now and againContinue reading “Archive: A Collage In Cardiff.”
Lights And Darks.
I’m doing some drawings for my next lino-print and today I was playing around with composition – just a quick brush and wash sketch to group lights and darks. I need more practice with police helmets!
First Ink.
I love that moment when I roll the first layer of ink onto a new lino block, seeing the image appear out of the light grey surface. It always gives me a thrill. It’s never the same again because when you clean the block at the end of a session, the light grey bits getContinue reading “First Ink.”
A First Proof
I did this first proof from a small lino block that is an experimental detail of a much larger image I am working on for something that’s a secret just yet. I wanted to try out different marks, especially using some of the tools I hardly ever look at. I’m liking the direction this isContinue reading “A First Proof”
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