Tag Archives: Isabey brushes

From Paper To Block

10 Jun

make do 1

Yesterday I showed the a page of text designs I did for small lino blocks (here) so today I selected the first two that I’m going to carve. I started the process by painting the text onto paper with an Isabey watercolour brush and walnut ink, then I traced the text using 90gsm tracing paper and a 2B pencil.  Then I turned the tracing I wanted to use onto a lino block and drew over the back of the lines with a 4H pencil. This is important – the original in 2B is soft and when I press on the back of the line with the 4H, the hardness of the 4H pencil presses the dust from the 2B onto the block. Once that’s done I draw over the lines on the block with a ballpoint pen because the pencil lines will rub off once I get started on the carving.

make do 2

 

The text goes through several stages, from ink and brush, to pencil tracing, to ballpoint pen and eventually to carving. At each stage I refine the text. Once the lettering is in reverse, I sort of lose sight of the words and start to see the letters as individual pieces of design, which alters them yet again. The first one is cut, tomorrow I’ll do the second. I must work faster because there are an awful lot of these to be done. Eventually I hope to have one block for each day of UK lockdown, which is about 79 days so far.

 

Splodges Of Watercolour

31 May


I went to a birthday party in a fabulous garden in Llwynhendy last weekend and of course, I had to have a scribble. I sat near the pond as dusk was falling and did a very quick sketch with ballpoint pen into my A6 hardbound sketchbook. Then I added some splodges of watercolour. I didn’t have any black with me which is a pity because I needed to damp the colour down to reflect the atmosphere at dusk. I used Isabey brushes and Winsor & Newton artist quality watercolour paints.

Like Liquid Silk

30 May

culvert 1

I did some development work today, using one of the drawings I did en plein air on a recent field trip with colleagues from Swansea University’s FIRE Laboratory. I sketched some culverts up in the Brecon Beacons, near the source of the River Tawe and today I worked on a very large piece of vintage Waterford paper with my own home-made walnut ink and some Isabey brushes.

The paper is lovely, very thick with deckle edges and the ink glides across its surface like rich sepia liquid silk. I used the ink neat and watered down into a mid-brown wash and I also splashed ink across the surface. I’ll leave it a couple of days then decide how I want to proceed – do I use colour or not? Or should I put in some darker tones with Indian Ink?

 

 

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