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Taking Time

One of the really cool things about drawing Baby Boomers is the chance to take time to sit down and talk to people, many of whom I have known for years, but we’re always too busy for anything more than a cursory chat. As I get older, I find that time shoots by so fast and before I know it, decades have passed. It’s great to talk over stuff that’s pertinent to our generation, good and bad and this is an integral part of my work on Baby Boomers, it will all feed into the final artwork. This lovely Boomer is number 46 – almost half way there. I aim to draw 100 Boomers by the end of the year.

Back in February I started travelling across South Wales with Rhondda-born archaeologist Dewi Bowen and Swansea film maker Melvyn Williams, in all weathers with my portable drawing board, portfolio of Fabriano paper and a bag full of assorted artist’s materials. Dewi is researching his latest book on Neolithic monuments and Melvyn is making a documentary film of our literary and artistic adventures.

I’ve done around 50 drawings now and these will be exhibited in my solo show in The Worker’s Gallery in the Rhondda Valley in September. Please click here to find out more about it.

And if you want to see some of my other artwork, please click on the image below.

Boom Boom!

Baby Boomers will remember the catch phrase ‘Boom Boom’ from Basil Brush, one of the funniest puppets on television, in my opinion. Here’s another of the Baby boomers I’m drawing as part of my plan to do 100 portrait sketches of people born between 1946 and 1964, the Baby Boomer generation. Eventually, I’m planning an installation featuring all the drawings I’ve done, but that’s a long way off yet.

Recently, I have also been travelling across South Wales with Rhondda-born archaeologist Dewi Bowen and Swansea film maker Melvyn Williams in all weathers with my portable drawing board, portfolio of Fabriano paper and a bag full of assorted artist’s materials. Dewi is researching his latest book on Neolithic monuments and Melvyn is making a documentary film of our literary and artistic adventures.

I’ve done around 50 drawings now and these will be exhibited in my solo show in The Worker’s Gallery in the Rhondda Valley in September. Please click here to find out more about it.

And if you want to see some of my other artwork, please click on the image below.

BOOM!

Here’s another of my Baby Boomer ‘victims’, one of 100 people born between 1946 and 1964 that I’m sketching by the end of the year. The drawing takes about 30 minutes, but I spend longer with people because I want to chat to them about being a Boomer, what makes us different from other generations, what have been the important things in our lives, what is iconic. It’s interesting to note how this differs between the Boomers at the front of the age group, who will be 70 this year and those at the tail end, who are just into their 50s. It’s fascinating stuff and will influence what I will eventually do with all these drawings.

I’ve done around 50 drawings now and these will be exhibited in my solo show in The Worker’s Gallery in the Rhondda Valley in September. Please click here to find out more about it.

And if you want to see some of my other artwork, please click on the image below.

Back With The Boomers

A while back I set myself the task of drawing 100 people, relatively quick sketches, 30 minutes maximum into my sketchbook. I wasn’t sure at first how I would choose 100 people. Would they have anything in common? Would they be just random? Eventually I decided to draw my generation and I started just over a year ago, building up a portfolio of ‘Baby Boomers’, people born between 1946 and 1964.

Eventually, these will be used in a large scale installation about my generation. I haven’t decided exactly how I’ll do it yet, but I’m thinking along the lines of developing the drawings into printmaking media like silkscreen, woodcut or stamp and using these to build up small and large iconic images from our era.

It’s something that I can pick up and put down according to how much time I have and whether there’s a venue available. This month, I have been offered some days at the lovely Galerie Simpson in High Street, Swansea. It’s a gorgeous contemporary gallery and a great place for people to sit for me, have a cup of tea and a slice of cake and a chat about what it means to be a Baby Boomer. The conversations I’m having are an important and fascinating part of the process, these will inform the exhibition work that I will eventually do .

I’ve done around 50 drawings now and these will be exhibited in my solo show in The Worker’s Gallery in the Rhondda Valley in September. Please click here to find out more about it.

And if you want to see some of my other artwork, please click on the image below.

Finishing The Drawing

I showed the first three phases of a new life drawing in yesterday’s blog and now here are the final three stages. I worked with conté crayons in white, black and sanguine into my A2 size brown paper sketchbook.

I love drawing onto brown paper. It reminds me of my childhood. There wasn’t any money to spare so my Mam used to cut up brown paper bags – that’s what you put groceries in before plastic bags – and I drew with bits of pinky white chalk she found on the edge of the Hafod tip behind our house.

The hands were hard work but worth the effort I think. They are well to the fore and the head recedes into the background. The Op Art cushion is fun and livens up the composition.

I have been travelling across South Wales with Rhondda-born archaeologist Dewi Bowen and Swansea film maker Melvyn Williams since February in all weathers with my portable drawing board, portfolio of Fabriano paper and a bag full of assorted artist’s materials. Dewi is researching his latest book on Neolithic monuments and Melvyn is making a documentary film of our literary and artistic adventures.

I’ve done around 50 drawings now and these will be exhibited in my solo show in The Worker’s Gallery in the Rhondda Valley in September. Please click here to find out more about it.

And if you want to see some of my other artwork, please click on the image below.

Stages Of A Drawing

Just back from life drawing at Swansea Print Workshop, working with one of our regular models, an older man. I worked large, into an A2 sized brown paper sketchbook that I picked up really cheap a few years ago in New York City. Ooooh get me! I built the drawing up with chalk to start with and then made more committed lines with white conté crayon.

Look. My friend brought me a set of conté crayons back from Cornellisens in London, white, sanguine and black.

Then I started in with the black conté. I’ll put up the final stages of the drawing tomorrow. I’m off to bed now. Goodnight.

By the way, since February, I have been travelling across South Wales with Rhondda-born archaeologist Dewi Bowen and Swansea film maker Melvyn Williams; cold and stormy, hot and humid, up mountains, through slurry, mud and bog, in all weathers accompanied by my portable drawing board, portfolio of Fabriano paper and a bag full of assorted artist’s materials. Dewi is researching his latest book on Neolithic monuments and Melvyn is making a documentary film of our literary and artistic adventures.

I’ve done around 50 drawings now and these will be exhibited in my solo show in The Worker’s Gallery in the Rhondda Valley in September. Please click here to find out more about it.

And if you want to see some of my other artwork, please click on the image below.

Pop Goes The Bluestone

This is the final drawing I did last week on our two-day drawing / archaeology / filming trip to Pembrokeshire. It’s a beautiful site, Gors Fawr, near Mynachlog-ddu in the Preseli mountains, a lush green bog fringed with glowing hills, dotted with a stone circle and two outliers constructed from bluestone. It’s the last drawing I’ll be doing for a few weeks as I must now concentrate on getting the work ready for my solo show next month, but we hope to resume our hunt for wild megaliths throughout the Autumn. You can see Dewi Bowen, archaeologist and Melvyn Williams, filmaker in the photo above. We’ve been doing this for seven months and there are still plenty more ancestral monuments to visit, draw, film and write about.

Each monument, each ancient site, affects me in different ways and this carries over into my drawings. It’s easier to draw a standing stone or chambered tomb than a stone circle as the subject is smaller, more focused, not spread across a large area, so I’ve tended towards far more abstraction with the circles. I work quickly and intuitively and don’t really see what I’ve done until it’s finished. This was a surprise – it’s quite Pop Art. I’m starting to think that it might translate nicely into a silkscreen print. But not until the Autumn!

wild flowers — Purple ling and yellow gorse at Carn Llidi near St. Davids.

Since February, I have been travelling across South Wales with Rhondda-born archaeologist Dewi Bowen and Swansea film maker Melvyn Williams; cold and stormy, hot and humid, up mountains, through slurry, mud and bog, in all weathers accompanied by my portable drawing board, portfolio of Fabriano paper and a bag full of assorted artist’s materials. Dewi is researching his latest book on Neolithic monuments and Melvyn is making a documentary film of our literary and artistic adventures.

I’ve done around 50 drawings now and these will be exhibited in my solo show in The Worker’s Gallery in the Rhondda Valley in September. Please click here to find out more about it.

And if you want to see some of my other artwork, please click on the image below.

The Nice People

Sometimes you meet people who are so nice it makes your day – or week even. We spent a couple of days last week hunting megaliths in Pembrokeshire and met some lovely people. We stopped to look for a stone in the little village of Dinas Cross in North Pembrokeshire. It was in a field next to the garage but we weren’t sure if we should go in as the gate seemed locked so Melvyn wandered into the garage and the owner came out and unlocked the gate and spent ages telling us about local stones and where to find them. Such a nice man and so keen to help us. And there were also Jon and Maria and Mike and Jeb who gave us such great hospitality while we were there. And the lady who offered to let us park in her garden when there was nowhere else to park for miles. And Jane and her travelling companions at Cerrig Y Gof. And all the nice people on the track to and from St. Elvis’ Burial Chamber. Lovely people and lovely places. I didn’t finish the drawing of the Dinas stone because we were in a hurry so I’ll finish it this week, when I have a spare moment. Chance would be a fine thing!

Since February, I have been travelling across South Wales with Rhondda-born archaeologist Dewi Bowen and Swansea film maker Melvyn Williams, cold and stormy, hot and humid, up mountains, through slurry, mud and bog, across beaches in all weathers accompanied by my portable drawing board, portfolio of Fabriano paper and a bag full of assorted artist’s materials. Dewi is researching his latest book on Neolithic monuments and Melvyn is making a documentary film of our literary and artistic adventures.

I’ve done around 50 drawings now and these will be exhibited in my solo show in The Worker’s Gallery in the Rhondda Valley in September. Please click here to find out more about it.

And if you want to see some of my other artwork, please click on the image below.

Pointing At The Head

We stayed awhile at Cerrig Y Gof, a group of five cists in an oval site in a field just outside the beautiful village of Newport on the North Pembrokeshire coast. This particular monument is aligned with the small peninsula of Dinas Head in the distance.

We were lucky to have good weather, the day after our eventful trip to Carn Llidi where we were buffeted by gales up a mountain. By contrast, the Newport visit was warm, sunny and calm.

I have been travelling across South Wales with Rhondda-born archaeologist Dewi Bowen and Swansea film maker Melvyn Williams since a cold and stormy February , up mountains, through slurry, mud and bog, across beaches in all weathers accompanied by my portable drawing board, portfolio of Fabriano paper and a bag full of assorted artist’s materials. Dewi is researching his latest book on Neolithic monuments and Melvyn is making a documentary film of our literary and artistic adventures.

I’ve done around 50 drawings now and these will be exhibited in my solo show in The Worker’s Gallery in the Rhondda Valley in September. Please click here to find out more about it.

And if you want to see some of my other artwork, please click on the image below.

Fellow Hunters

Cerrig Y Gof is a site of five tombs just outside the village of Newport in North Pembrokeshire. They were completely overgrown with brambles and bracken but we carefully cleared most of the undergrowth away, revealing the ancient treasures underneath. We met some fellow hunters of the wild megalith and had a great conversation – we rarely see other people on our travels.

Since February I have been travelling across South Wales with Rhondda-born archaeologist Dewi Bowen and Swansea film maker Melvyn Williams, up mountains, through slurry, mud and bog, across beaches in all weathers accompanied by my portable drawing board, portfolio of Fabriano paper and a bag full of assorted artist’s materials. Dewi is researching his latest book on Neolithic monuments and Melvyn is making a documentary film of our literary and artistic adventures.

I’ve done around 50 drawings now and these will be exhibited in my solo show in The Worker’s Gallery in the Rhondda Valley in September. Please click here to find out more about it.

And if you want to see some of my other artwork, please click on the image below.

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