The Robe Reflected

This is an old one of mine, from when I was going through a watercolour period at the weekly life drawing group at Swansea Print Workshop. This model has beautiful robes and we often try a pose or two with them on. The reflected figure in the large mirrors formed a composition that I reallyContinue reading “The Robe Reflected”

Plum Cake And A Nude

Just back from life drawing at Swansea Print Workshop. I hadn’t drawn this model before, she’s new but I got the hang of her reasonably well. Sometimes it takes ages to get used to a new model, sometimes things just fall in place. The portrait and figure took about 50 minutes then I did theContinue reading “Plum Cake And A Nude”

The Curate’s Egg

Tonight’s life drawing is like the Curate’s egg – good in parts. I had the most horrific foreshortening on the left hand. no matter how many times I measured it, the darn thing looked badly drawn. I used Winsor & Newton’s willow charcoal and white conte crayon onto a piece of Fabriano Accademica that IContinue reading “The Curate’s Egg”

Virtual / Physical

  Just back from the weekly group at Swansea Print Workshop. Tired now. I did some portrait studies and a full length nude. I used my Samsung Galaxy Note 8 with the free Markers app. I’m getting a bit fed up with it so I think I’ll prepare a load of paper and get backContinue reading “Virtual / Physical”

One From The Archives 23: The Mirror

Reflection, musing on masculinity.  Having a large mirror in the life drawing room can add a lot to any drawings. From a purely technical point of view it means you can draw a figure from the front and back at the same time without it looking like two separate drawings. I also like to experimentContinue reading “One From The Archives 23: The Mirror”

One From The Archives 22: The Gaze

This model gazes at the viewer, completely at ease and totally confident in her own skin. Most life models are by nature, confident about their bodies and have no problem with being looked at. It is their job after all. Usually though, they tend to look away from the artists. On a purely practical level his isContinue reading “One From The Archives 22: The Gaze”

One From The Archives 21: Nude Reflected

I love this printmaking technique. It has all the flexibility of painting with a healthy dose of unpredictability thrown in. . A full-colour monotype can be as simple or as complex as you like. This one started out as a very simple life drawing and just developed into something wild and wonderful.  This is aContinue reading “One From The Archives 21: Nude Reflected”

One From The Archives 20: Spiky Purple Hair

The first time I blogged this image was a turning point for me, as can be seen here. This painting featured in the last ever exhibition I curated at The Brunswick in Swansea. It is based on a drawing of one of our more colour coordinated life models. He had a habit of matching hisContinue reading “One From The Archives 20: Spiky Purple Hair”

One From The Archives 19: Eve Sleeps

I love the versatility of this method. It has a fantastic range of darks and lights, as well as a dazzling palette.  A full-colour monotype is also a unique artwork because of the way the ink is applied to the paper. In this print I have used the warm, vibrant reds and yellows of theContinue reading “One From The Archives 19: Eve Sleeps”

Art Of The Day

I am rather pleased to announce that one of my paintings has been chosen to feature as today’s “Art Of The Day” on the on-line gallery Artfinder. The Art Of The Day feature can be found here. Fan Girl, which I blogged about last week here, is a painting inspired by my teenage years. It isContinue reading “Art Of The Day”