Tag Archives: Women4Resources

Bunting

3 Mar

menywod

I spent a lovely hour or so painting bunting at an event organised by Women4Resources,  a small organisation working with women and girls in partnership between Wales and Africa to promote education. Today was about promoting wellbeing and I loved just chilling out with women of all ages, chatting and doing some painting for fun, instead of for work. It took the pressure off. I based my little bit of bunting on the Welsh word “menywod” which means women. I got quite psychedelic.

There’s some confusion about the origin of the word “bunting”, with some sources citing it as French, others as Scottish. When I was little I thought it was a verb and wondered how you might ‘bunt’.  Apparently it is something to do with American baseball.

 

Coming Full Circle

10 Mar
b in

The triptych from the inside

A few weeks ago I was privileged to join one of Fern Smith‘s women’s circles, part of her ‘Seven Sundays In Spring’, walking through the beautiful deer park in Dynefwr, Llandeilo, drawing an extraordinary wintry tree in my sketchbooks, here’s one of the sketches below… 

Drawing 3

One of my original sketchbook drawings

I have thousands of sketches and dozens of sketchbooks locked away in cupboards and I only choose a few to develop into another piece of work, and this is one of those times. I was invited to do a pop-up drawing at the Women4Resources event for International Women’s Day at Creative Bubble today. I decided to do a triptych onto detail paper that I taped to the window, so that people outside could see the drawing developing without coming in – it’s a democratic way of doing art because it reaches out to people, not everyone is comfortable coming into an artspace.

d in

I started out with my home-made walnut ink, blocking in the base of the tree and working into it with sanguine conté crayon to develop a texture. Then I brushed in the upright trunks.

 

Then I switched to white gouache and brushed in another layer of uprights, trunks and branches. And finally, I used a black conté crayon to work tiny marks into the area of the sky behind the branches.

The work looks different from the outside, with the white branches much more prominent and the black sky almost invisible. I guess that if I ever exhibit it I’ll have to consider framing them with glass both sides.

a out

The triptych from the outside

And so full circle, from the drawing en plein air to the triptych in the window, from Fern’s creative women’s circle to International Women’s Day, it feels complete.

 

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