I try to get along to life drawing sessions at Swansea Print Workshop as often as possible as drawing underpins everything I do artistically and I need to practice. This is a fab model, she’s excellent and I love to draw her. Unfortunately, even the most experienced models can get a dead leg and that’s what happened this week, so I wasn’t able to finish the drawing. But never mind, I like the unfinishedness of it. I drew with white, sanguine and black conté crayons, in that sequence, onto brown wrapping paper.
I have put my series of drawings of ancient Welsh monuments on Artfinder. If you want to see more, please click on the image below or the Artfinder link at the top right of this page.
I went to our local art gallery, The Glynn Vivian earlier today for a talk from the artist in residence, Sharon Morris, one of the nine exhibiting artists in one of the current exhibitions, ‘The Moon And A Smile’, inspired by early Victorian photographs from the Dillwyn Llewellyn family who lived at Penllergare and Sketty Hall in Swansea. The exhibition responds to a time in the 1840s and 1850s when Swansea was at the centre of international experiments in photography, especially Mary Dillwyn, John Dillwyn Llewellyn and his daughter Thereza. I had to have a scribble of course, and did this drawing of Sharon Morris as she spoke. I drew into my tiny new Paperblanks sketchbook with a Faber Castell Pitt pen, size F.
