I’ve been flipping through old sketchbooks, reminding myself of work I’d forgotten about. I came across a cluster of heads in one that I’d bought from the Tate gallery in London. Nice sketchbook. I like drawing heads and faces, but children’s faces are so difficult. The younger they are, the more they look like an alien life form. There’s a mixture of media here, graphite, charcoal pencil, Faber Castell Pitt drawing pen and biro (ballpoint).
Tag Archives: heads
Popping Up
2 Sep
Earlier this evening I did my first ‘pop-up studio‘ at the Taliesin Arts Centre. My latest body of work, a collection of almost 30 pieces called ‘Er Gof’, is being exhibited in Oriel Ceri Richards Gallery and we (the art collective 15 Hundred Lives) have set up a temporary studio upstairs in the cinema foyer/bar. Two of us are taking turns doing a pop-up studio for a couple of hours before feature films throughout September, until our exhibition finishes on the 26th.
I sat and worked on a piece of vintage paper that I’d prepared with a layer of gold translucent silk screen ink, applied with a squeegee (but no screen). Continuing with the theme of the work in the exhibition, I did some intuitive drawings of heads using willow and compressed charcoal and carbon. It’s nearly finished, maybe another hour or so. It was great drawing in public. The first couple of hours was quiet but 4 people came in to sit down and talk to me. I like having conversations about art. The last hour was much busier as the cinema-goers arrived for a pre-film drink. Not so many conversations but lots of people hovering and looking at what I was doing.
The cinema is also showing our short video before each film this month. Here it is, showing the three of us and how we do our work.
A Secret
30 Jul
I will be carrying on with quick gesture drawings of heads for the next week. I need the practice as something special is coming up but I can’t say too much about it yet. It’s a secret 🙂
These two elderly men were drawn into my tiny A6 sketchbook with a Faber Castell Pitt drawing pen size S. I only allowed a maximum of 3 minutes each.
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Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.
20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.
Rosie Scribblah RSS
- Mugshot Update March 1, 2021
- Finished Faffing And Faking February 28, 2021
- A Bit Of Faff February 26, 2021
- Faking With The Cat – The Film February 25, 2021
- Free Zoom Art – Skulls And Sticking February 23, 2021
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