Tag Archives: Tim Kelly

Gouache And Black Paper

11 Apr

gouache 1

Yesterday I visited a fabulous exhibition by Swansea-based artist, Tim Kelly at Volcano, and browsed through one of his sketchbooks which was made up of black paper. It looks like he used gouache and gel pens (although I may be wrong) and I really liked the effect. I happen to have had a black paper sketchbook, some gouache paints and a rather smart Winsor & Newton water pot knocking around for some years now that I haven’t used. So I had a bit of a play. And I like the way the paint went on the paper, the way it holds the brushstroke, the way the paint looks. I think I could get into some experimentation with this. It’s important to take some time out to experiment with new materials, I think.

“Could It Be Possible”

10 Apr

tim kelly 1

Husb and I dropped by Volcano on Swansea’s (infamous) High Street today to check out their new exhibition, “Could It Be Possible” by Tim Kelly, one of my favourite contemporary artists whose art practice is completely immersed in painting and drawing. I love his work, it’s vibrant, intuitive and accomplished. He also creates installations featuring drawings including the one above which has a large black-paper sketchbook full of the most sumptuous drawings in pen and gouache (I think).

tim kelly 2

The exhibition runs until April 29th and it’s definitely worth taking a look if you’re in the city centre.

The Hat And The Fox

1 Jun

FAB 7 8

Here’s the final pair of drawings I made during Fringe Arts Bath last Saturday. Working with an ad hoc group of artists, The Plebeian Scribblers, we did some sessions of performance drawing in the street during A FAB Intervention, curated by Melanie Ezra and Tim Kelly. The drawing on the left features the hat of fellow Plebeian Scribbler, Melvyn Williams and on the right, the back of Lynne Bebb‘s head wearing a bespoke needle-felted fox mask by Ann Lucas. I prepared my A3 bound sketchbook with brown parcel wrapping paper, stuck in with Pritt stick glue and drew with conté crayons in black, sanguine and white with fine line work in Faber Castell Pitt drawing pen, size S.

 

I’m currently working on a series of expressive drawings of ancestral stones and if you want to see some of my other artworks, please click here.

 

Middle Aged Legs

31 May

FAB 5 6

Out with The Plebeian Scribblers at Fringe Arts Bath on Saturday, the four of use did a choreographed drawing performance. Well, simply choreographed. We turned and faced a different direction every 7.5 minutes, turning 90 degrees each time and drawing what was in front of us. After the complete 360 degrees we went back to HQ in the basement of the 44AD Gallery to recover a bit before the next round. It was pretty hot and very crowded and standing for half an hour at a time on the pavement was a bit heavy on middle aged legs.

A FAB Intervention was organised and curated by Swansea artists Melanie Ezraand Tim Kelly.

I’m currently working on a series of expressive drawings of ancestral sites and if you want to see some of my other artworks, please click here.

 

Fox In The Street.

30 May

FAB 3 4

I spent last Saturday drawing in the street at A FAB Intervention, a public art event in Fringe Arts Bath. I am part of an ad hoc group called The Plebeian Scribblers and four of us drew in unison in the centre of Bath, giving passers by the opportunity to see artists in action. I did 8 drawings in all, here are the third and fourth, a generic street scene and a close up of fellow Plebeian Scribbler, Patricia McKenna-Jones, who happened to be wearing a fox mask by Swansea artist Ann Lucas. I prepared my sketchbook in advance by pasting in pieces of brown wrapping paper. We stuck to a very strict timescale, changing position every 7.5 minutes so each drawing was done quickly which forced me to focus on the absolute essentials of the subject. It’s good practice for not getting too precious about your work.

A FAB Intervention was organised and curated by Swansea artists Melanie Ezra and Tim Kelly.

I’m currently working on a series of expressive drawings of ancestral sites and if you want to see some of my other artworks, please click here.

 

Hot Public Scribbling

29 May
Drawing at Fringe Arts Bath

Drawing at Fringe Arts Bath

This is the fourth year that I have been involved in the fabulous Fringe Arts Bath, a crazy, anarchic festival of visual and performing arts, taking place all over Bath’s city centre, in empty shops, old mortuary chapels and the street. Last year and this year I was one quarter of a four part combo of artists who draw, The Plebeian Scribblers. We were part of a public access art event, A FAB Intervention, featuring 20 artists and organised by Melanie Ezra and Tim Kelly from the Swansea artscene.

It was hot but not as hot as last year and we found some shade to stand and draw. I drew into my A3 bound sketchbook that I had prepared by sticking ripped pieces of brown wrapping paper into it with Pritt stick glue and I drew with conté crayons in black and sanguine along with some white chalk and a Faber Castell Pitt drawing pen, size S.

The drawing on the left is a reflection in a large shop window, difficult to draw, to decide what to focus on; what’s important to the drawing because there’s so much going on. More drawings tomorrow……

 

I’m currently working on a series of expressive drawings of ancestral sites and if you want to see some of my other artworks, please click here.

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