I Don’t Often Paint But….

I don’t often paint as I have a printmaker’s brain which I think is wired differently to the painter’s brain. I prefer to draw and I get frustrated by dragging a bit of paint across a surface with a brush. This piece started as a small sketchbook lifedrawing which I then worked up into aContinue reading “I Don’t Often Paint But….”

A New Model! A New Muse!

  I’m a gingery Celt living in a predominately gingery Celtic part of the country so it’s an absolute joy to have a new model from Africa working with our life drawing group.  Swansea has had a fair bit of immigration in the past, as it was a thriving port and is a thousand yearsContinue reading “A New Model! A New Muse!”

A Friend, A Kitten And A Lot of Old Prints.

  I was working with an artist friend, we were exchanging modelling hours and I built up a large collection of life drawings of her and started wondering what to do with them, whether they could form the basis of new pieces of work. I also had some large sheets of very good paper thatContinue reading “A Friend, A Kitten And A Lot of Old Prints.”

Etching with Hogarth!

  I like to draw from life and always carry a small sketchbook. I’m enormously inspired by the work of William Hogarth, who catalogued daily life in the 1700s with his meticulous metal engravings. This is a drypoint from a paper plate based on a sketch I did in a tiny Cotman sketchbook. It’s theContinue reading “Etching with Hogarth!”

Life Drawing: May and September [parental guidance]

One week at life drawing group, an administrative error meant that we had our older male model AND our younger female model for the whole session. I’m used to working with just one model at a time so it was quite a challenge to draw the two together, getting them in proportion in relation toContinue reading “Life Drawing: May and September [parental guidance]”

Skeletons I Have Known [2] SKULL ATTACK!

Keeping to the seasonal Halloween theme, I’ve been doing a series of pieces based on the human skull that includes sketches, pastel drawings, cyanotypes and blockprints. These two small drawings were done in chalk, compressed charcoal and Faber Castell Pitt pens into a brown paper sketchbook. I’m going to call the series Skull Attack, whichContinue reading “Skeletons I Have Known [2] SKULL ATTACK!”

Skeletons I Have Known [1].

  People who’ve read my blog before will know that I share my studio with a skeleton, a lady called Felicity. But I’ve drawn other skeletons too. This one, nicknamed Fred Skelly, was the subject of many drawings during a life drawing course at Gorseinon College. He was once a man – smaller pelvis, shorterContinue reading “Skeletons I Have Known [1].”

All Day at the Print Studio.

  Very busy day today at the printmaking studio in Swansea. Made two full-colour monotypes, plus two ‘ghosts’. Have been on my feet for 7.5 hours and I’m shattered, but reasonably happy with the results. I based the monotypes on drawings made from life with a professional model. The prints are made in oil-based pigmentContinue reading “All Day at the Print Studio.”

Scribbling the Scribblers.

  Sometimes at life drawing group I get a bit bored drawing the model and I take a look at the rest of the room and draw the drawers. They’re usually as still as the model, deep in concentration which maked them relatively easy to draw. This is done in Faber Castell Pitt ink pensContinue reading “Scribbling the Scribblers.”

Japanese Barens [artgeeky stuff]

When I visited the International Print Fair in New York City a couple of years ago, I went to a demonstration of Japanese woodblock printing by the artist Takiyi Hamanake [I hope I spelled that right]. It’s a different way of printing; instead of rollering oil-based ink onto the cut block, you brush glue ontoContinue reading “Japanese Barens [artgeeky stuff]”