Category Archives: Printmaking

In The Zone

I’m working flat out to make 20 new small drawings for a group exhibition at The Brunswick in December. I’m making transfer prints from digital photos I’ve taken and then drawing on top of them in Indian ink. I print out a digital photo in standard inkjet inks (good quality ones don’t work) on cheapContinue reading “In The Zone”

Ghosts

I’ve been making full-colour monotypes the past couple of weeks and the technique gives one intensely coloured print and one lighter, ghost, print. This is because after you’ve taken a full-colour print, you put the plate back through the press with another sheet of paper to mop up the ink remaining on the plate. HereContinue reading “Ghosts”

Reality And Virtuality.

I’ve been at the Print Workshop grafting on some  full-colour monotypes for the new exhibition. Here’s the second one finished. I posted stages one and two yesterday; this is what it looks like after the final, Process Blue, layer. I’ve used Intaglio Printmakers relief/litho oil-based pigment onto BFK Rives 250gsm paper. Back in the summer,Continue reading “Reality And Virtuality.”

Two Down, One To Go…

Back at Swansea Print Workshop for a long shift to do another 3-colour reduction monotype in time for the new exhibition in a couple of weeks. Above is the first layer in Process Yellow and below, the monotype after the second, Process Red, layer has been printed. Tomorrow I’ll post the final print, after theContinue reading “Two Down, One To Go…”