I had another rummage through the big drawers in my plans chest and found some more lovely papers that I’d used but didn’t do anything more with. This is a piece of paper stretched and gessoed then painted at random with my home-made walnut ink. I had taken it out on my journeys around Wales hunting megaliths and started drawing some ancient stone monuments on it, but I didn’t like the way it was going so stuck it in a drawer and forgot about it. Now, what am I going to do with it?
It’s the British Bank Holiday so of course, the rain was tipping down. Husb and I got fed up looking out of the window at the Easter deluge and took off up to Dolaucothi to have a look around the Roman goldmine. It’s a lovely part of the country and we had a good time, despite the torrential sky juice.
The mines were originally worked in pre-Roman times, then the Romans invaded and took them over. Then they fell into disuse until the Victorians had a go and they finally closed in the 1940’s so there was a lot of historical stuff to see on site. I had a scribble, sheltering in the engine house and sketching the industrial machinery and landscape outside, using white, sanguine and black conté crayons into my A4 brown paper sketchbook.
I have some very big drawers for storing art and materials and I was rummaging through them earlier and found a load of papers that had been shoved to the back because I wasn’t happy with the work I’d done on them. So I pulled them out to have a think about how I can reuse them. This was a cyanotype experiment that hadn’t worked out and I already tried to recycle it by doing a life drawing on top, but I didn’t like that either. So now I’m going to try again – third time lucky? I don’t know what I’ll do yet, maybe I’ll have a digital play with it before deciding. It’s looming out at me quite darkly ………..
Here’s the second drawing I did at Aberdulais Falls. It’s a picturesque place that has been immortalised in art over some centuries, even being painted by Turner himself. There no way I can compete with Turner so I looked for the abstraction in nature to focus on. I sort of squinted a bit to make my vision slightly fuzzy and concentrated on drawing the shapes I saw as the falls tumbled away below me. I used firm upright and diagonal lines to represent the rocks and cliffs and freer, more squiggly lines for the water, in white, sanguine and black conté crayons into my A4 brown paper sketchbook.
It’s a Bank Holiday and rain is forecast so Husb and I got out of the house before the deluge started and went off to Aberdulais Falls for a bit of a walk, some historical instruction and to do a quick scribble or two. I used white, sanguine and black conté crayon into my spiral bound A4 brown paper sketchbook from Seawhites of Brighton. I worked very quickly as it is still quite cold, just getting down the basic details of the scene. Then off to the cafe in the old schoolroom to warm up and have a cup of tea and slice of bara brith.
I’ve been working on this painting for a little while, I rarely paint but this is a birthday present for my dear young nephew, just turned 14 and the owner of some very unruly hair. I painted this from a photograph which I particularly like for its typical teenage insouciance.
I used Liquitex Heavy Body acrylic thinned with water into translucent glazes, which I overlaid, rather like painting with watercolour. It’s painted onto a stretched, gessoed white canvas.
More BogArt! The interesting and quirky Cinema & Co in Swansea is more than just a place that shows films, it is a space for comedy, music and art as well. The exhibitions in the main cinema change monthly but there is a great bit of exhibition space in the cinema’s two toilets (also known as the Bogs in British slang). So owner Anna Redfern offered me the space to curate BogArt and I jumped at the chance. It’s a captive audience for the art, after all. The one above is a mixed media piece, based on an original life drawing, called “I Knows ‘Ew Luvs Me Cos ‘Ew Buys Me Chips” which is a bit of a joke here in Swansea….
And the one in the smaller bog is an ink drawing on Mylar film, inspired by my wintry visit to Berlin in the snow, where I saw the Holocaust Memorial under a layer of soft whiteness.
Sometimes I want to do something, keep my hands occupied, but I’m arted out, so I settle down to do a bit of crafting. Art is hard work for me, crafting, like baking, is very relaxing. I made a stack of origami lilies which will end up on a string of LED lights as fairy lights. I got the instructions from the new BBC series, MAKE! Craft Britain where this guy demonstrated a couple of different origami models. Just after I photographed them, Sparta Puss threw them on the floor. Because that’s what cats do.
Almost three years ago, I decided to draw one hundred, thirty-minute sketches of Baby Boomers, people of my generation. I thought it would take me about a year. Wrong! Funny how life gets in the way. I did most of them in 2 years but got stuck on the last handful; it has been so hard to find mutually convenient times. So today I was delighted to draw Number 96! This is a fellow artist visiting from the USA, who is staying with friends nearby. She’s the right age and willing, so I paid her a visit, with home made cake (a jam and buttercream sponge, with home-made loganberry jam – home grown loganberries too) and had a chat about her life experience as a Baby Boomer and then drew her. It was interesting to talk with someone from a different culture because although we are the same generation, much of our experience has been very different.
Baby Boomers are the generation born between 1946 and 1964, a big bump working its way through time. Eventually, I’m planning an installation featuring all the drawings I’ve done, but that’s a long way off yet. First of all, I have to get the last 4 Boomers into a room and draw them.
I’ve been carrying on painting, I don’t normally paint but this is for a special someone. I don’t really know how to approach paint so I’ve come at it from the point of view of the printmaker that I am and I’m adapting a technique I use for monotypes, where I layer translucent glazes of yellow, red and blue, creating all the colours from the interplay of these colours on top of each other, adapted by the intensity of the brushstrokes. I think, if I remember correctly, that the Impressionists did something similar, they didn’t mix their colours before application to the canvas.
The monotype technique I use was taught to me by USA-based artist/printmaker Vinita Voogd, if you want to see how I do it please click here to my Tecchie section.
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