Some more sketches from the extraordinary performance, “Now The Hero / Nawr Yr Arwr” at Swansea’s Brangwyn Hall last weekend. A new requiem was commissioned by auteur Marc Rees, performed by the choir Polyphony, and in the red gloom of the hall, a group of young men, boys, the age of so many of thoseContinue reading “Boys Dying Slowly”
Tag Archives: #enpleinair
The Celtic Warrior
I took my sketchbook to the performance of ‘Nawr Yr Arwr / Now The Hero’ at Swansea’s Brangwyn Hall last weekend. I did a series of speed drawings of the balletic Celtic Warrior, Joe Perou. He moved with precision which helped me to focus on scribbling the basic details of his form.
The Table And The Steps
Here are some more drawings I did from the performance of Now The Hero / Nawr Yr Arwr last weekend. It was a promenade piece and this section was set in the street outside the Brangwyn Hall. The irrepressible actress, Eddie Ladd, playing a female peace campaigner conducts the Cyd Adrodd (spoken choir) above onContinue reading “The Table And The Steps”
Drawing On The Beach
Some drawings I did #enpleinair on the beach on Saturday, at the start of the final performance of “Nawr Yr Arwr / Now The Hero”, easily the most incredible theatrical experience I have ever had. It was truly amazing, so many things going on, so much to take in. It started on the beachContinue reading “Drawing On The Beach”
Like Chalk And Cheese
I went to a weekend etching course at Trefeglwys Print Studio the weekend before last with two other printmakers – one of whom was Husb. He did some beautiful work but looking at what we produced emphasised that we’re like chalk and cheese. Here’s Husb’s beautifully modulated head of a child, burnished into a copperContinue reading “Like Chalk And Cheese”
Mad Mari: The First Proof
In the last half hour or so of Andrew Baldwin’s weekend etching workshop at Trefeglwys Print Studio, I did a first proof print (on the left) of my coffee lift / spit bite aluminium etching plate, using Charbonnel black ink onto soaked Hahnemulle paper. I’m really pleased with it. It’s completely different to the fauxContinue reading “Mad Mari: The First Proof”
Spit And Splatter
Carrying on with the coffee lift plate I worked on at Trefeglwys Print Studio last weekend, after washing the coffee off the plate, leaving the black B.I.G. etching ground masking most of the aluminium, I dipped it in copper sulphate solution for quite some time to etch the exposed areas really deep so they’ll giveContinue reading “Spit And Splatter”
Mad Mari
So as well as working on a copper mezzotint plate at Andrew Baldwin’s weekend course at Trefeglwys Studios last weekend, there was also time to prepare an aluminium plate with coffee lift and spit bite. I used another of my drawings of the traditional Welsh Mari Lwyd from one of my sketchbooks. The Mari LwydContinue reading “Mad Mari”
Scraping And Burnishing
I spent a very busy and creative weekend with two other printmakers from Swansea at Andrew Baldwin’s Trefeglwys Print Studio in mid-Wales, studying his non-toxic intaglio printmaking methods. We started with the ‘faux mezzotint’ technique, using his own make of etching ground to create a pitted surface, like a mezzotint plate and then, after transferringContinue reading “Scraping And Burnishing”
Exhausted But Happy!
Just back from a very tiring weekend printmaking course at Trefeglwys Print Studio. It was fantastic. I learned so much and came away with a number of prints I’d be happy to exhibit and two new etching plates to edition and an etching plate to work on and finish. Result. I’m shattered now though. TheContinue reading “Exhausted But Happy!”
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