Re-Visiting Monotype.

I spent a happy morning down at Swansea Print Workshop today, re-visiting a technique I used to do loads – it’s called the 3-Colour Reduction Monotype (or 3-Colour Stacking Monotype). I haven’t done this since before Covid19, over 4 years, maybe longer. Why does time shoot by so fast? I based this monotype on aContinue reading “Re-Visiting Monotype.”

Beginning The Process.

I’m starting to develop a new linocut a part of a new group project by Swansea Print Workshop (more to come on this). The subject I have chosen is the South Wales Miners’ Wives during the strike in the 1980s. I knew one of the wives, she was featured in the film Pride, those womenContinue reading “Beginning The Process.”

Squeegee Rescue

Today I was down at Swansea Print Workshop and one of the little squeegees gave up the ghost, the old rubber blade split. No problem, it can be repaired. I removed the three crosshead screws holding it into the wooden handle and prised the broken blade out with a flathead screwdriver, wriggling it at bothContinue reading “Squeegee Rescue”

Reusing Screen Inks.

There’s no glamour in being an artist, there’s loads of messiness and cleaning up. It’s also expensive and it’s important to reuse and recycle as many materials as possible. There’s always a lot of screenprint inks left over after courses at Swansea Print Workshop and if they’re stored properly they can be usable for months.Continue reading “Reusing Screen Inks.”

FREE Printmaking Demos in Swansea.

2 – 3.30pm, Saturday 21st October 2023 at Mission Gallery (click on link for free Eventbrite ticket) Printmaking Demonstrations with Swansea Print Workshop Members, Rosie Scribblah, Anne Gullick and Louise Hughes. Join us at Mission Gallery as we experience three printmakers showcasing their practice. This free demonstration session will give you a glimpse of howContinue reading “FREE Printmaking Demos in Swansea.”

Pink And Yellow Maris.

Here are some different colourways of my little Mari Lwyd lino block and Gel Plate monotypes that I was experimenting with during my residency at The Workers Gallery in Ynyshir last week. It’s a lovely place, do try and visit if you can. The Gel prints were made with Cranfield Safe Wash Relief inks in Process Yellow,Continue reading “Pink And Yellow Maris.”

Green And Yellow Mari.

I had fun overprinting my little Mari Lwyd lino block onto some circular Gel Plate monotypes. The monotypes were done using fruit nets and bubble wrap and Cranfield Safe-Wash relief inks mixed heavily with Extender. The three primary Process colours, overlaid, give a lovely range of secondary colours and tertiary tones. I was experimenting duringContinue reading “Green And Yellow Mari.”

Monotype And Mari Lwyd.

I spent a day up The Workers Gallery in Ynyshir yesterday and took a small lino block of a Mari Lwyd I cut a couple of years ago. I thought I’d try doing different things with it. I printed a border on a cheap cotton shirt (here) and then I switched inks and printed Mari’sContinue reading “Monotype And Mari Lwyd.”

Blue Gelli.

I spent a bit more time playing with a gel plate at Swansea Print Workshop this afternoon, using a round gel plate, a few pieces of used bubble wrap, Cranfield Safe-Wash Process Cyan relief ink and Extender onto HoSho paper. I overprinted the pieces I’ve done in the last two weeks, mixing very little of the blueContinue reading “Blue Gelli.”

Red Gelli

I spent a bit more time playing with a Gelli plate at Swansea Print Workshop this week, using a round plate, a bag that onions were in , Cranfield Safe-Wash Process Red relief ink and Extender onto offcuts of HoSho paper. I tend to use the Gelli plates to print papers for collage and chineContinue reading “Red Gelli”