Reusing Screen Inks.

There’s no glamour in being an artist, there’s loads of messiness and cleaning up. It’s also expensive and it’s important to reuse and recycle as many materials as possible. There’s always a lot of screenprint inks left over after courses at Swansea Print Workshop and if they’re stored properly they can be usable for months.Continue reading “Reusing Screen Inks.”

FREE Printmaking Demos in Swansea.

2 – 3.30pm, Saturday 21st October 2023 at Mission Gallery (click on link for free Eventbrite ticket) Printmaking Demonstrations with Swansea Print Workshop Members, Rosie Scribblah, Anne Gullick and Louise Hughes. Join us at Mission Gallery as we experience three printmakers showcasing their practice. This free demonstration session will give you a glimpse of howContinue reading “FREE Printmaking Demos in Swansea.”

Pink And Yellow Maris.

Here are some different colourways of my little Mari Lwyd lino block and Gel Plate monotypes that I was experimenting with during my residency at The Workers Gallery in Ynyshir last week. It’s a lovely place, do try and visit if you can. The Gel prints were made with Cranfield Safe Wash Relief inks in Process Yellow,Continue reading “Pink And Yellow Maris.”

Green And Yellow Mari.

I had fun overprinting my little Mari Lwyd lino block onto some circular Gel Plate monotypes. The monotypes were done using fruit nets and bubble wrap and Cranfield Safe-Wash relief inks mixed heavily with Extender. The three primary Process colours, overlaid, give a lovely range of secondary colours and tertiary tones. I was experimenting duringContinue reading “Green And Yellow Mari.”

Monotype And Mari Lwyd.

I spent a day up The Workers Gallery in Ynyshir yesterday and took a small lino block of a Mari Lwyd I cut a couple of years ago. I thought I’d try doing different things with it. I printed a border on a cheap cotton shirt (here) and then I switched inks and printed Mari’sContinue reading “Monotype And Mari Lwyd.”

Blue Gelli.

I spent a bit more time playing with a gel plate at Swansea Print Workshop this afternoon, using a round gel plate, a few pieces of used bubble wrap, Cranfield Safe-Wash Process Cyan relief ink and Extender onto HoSho paper. I overprinted the pieces I’ve done in the last two weeks, mixing very little of the blueContinue reading “Blue Gelli.”

Red Gelli

I spent a bit more time playing with a Gelli plate at Swansea Print Workshop this week, using a round plate, a bag that onions were in , Cranfield Safe-Wash Process Red relief ink and Extender onto offcuts of HoSho paper. I tend to use the Gelli plates to print papers for collage and chineContinue reading “Red Gelli”

Lemon Gelli

I was at Swansea Print Workshop this afternoon and I started working on a small circular Gelli-plate, laying down the first colour, which is Process Yellow, an intense lemon. I’m using Caligo Safe Wash Relief ink mixed 50:50 with Extender to increase translucency and the texture is created with a net that lemons were soldContinue reading “Lemon Gelli”

From My Archives: Concertina Screenprint

Here’s a screenprinted concertina booklet I made in 2018, 2 years BC (Before Covid) at a weekend workshop with the inspirational Kelly Stewart. I used motifs from my collaborative project with Dewi Bowen and Melvyn Williams, Hunting The Wild Megalith. Kelly will be running another weekend of screenprinting at Swansea Print Workshop at the endContinue reading “From My Archives: Concertina Screenprint”

GrrrRR

Here’s the little Type arrangement printed up. I’ve been trying out different ink / paper combos and I think this is the best one for me. The ink is Cranfield Safe-Wash Relief, in Process Cyan and Process Magenta with a dab of Extender in the middle. The paper is HoSho, printed on the smooth sideContinue reading “GrrrRR”