Just got back from this evening’s life drawing session at Swansea Print Workshop. This model is great, full of character with a very complex face. I used a piece of discarded mountboard (matte) that I prepared with 2 coats of acrylic gesso. When it dried I sponged an ink wash randomly across the surface. ThisContinue reading “A Lady In Black (Female Nude)”
Tag Archives: Swansea Print Workshop
Recycled Head
At the print workshop we work with some beautiful papers and always use the best quality for the courses we run. It’s surprising how many people never collect their work afterwards. Even if they don’t like the image, there’s a lovely – and expensive – piece of paper that can be used again. I’m alwaysContinue reading “Recycled Head”
Back To Basics
I’ve been trying to push out of my comfort zone at Life Drawing group for a while now. Last night I pulled out a piece of very heavy and textured hand-made paper, a bit bigger than A4, that I’d prepared with acrylic gesso overlaid, when dry, with compressed charcoal and then sealed with spray fixative.Continue reading “Back To Basics”
Cake And Foreshortening
So this evening I took myself off to life drawing at Swansea Print Workshop, bearing an abundance of cakes for our tea break. How civilised is that? I did a couple of sketches in oil bars that I was quite pleased with, then we had this pose to finish up with after tea and cake.Continue reading “Cake And Foreshortening”
Tatts And Transparencies
I’m preparing a whole new set of photopolymer plate intaglios. I’ve chosen the sketches I want to make plates of, mostly from my sketchbooks and now I’m drawing them onto small (A6) transparencies. These two here are onto Mark Resist. It’s considerably cheaper than TruGrain and more stable than tracing parchment, especially with wet media.Continue reading “Tatts And Transparencies”
Oily Scribbling
I went out of my comfort zone again tonight at life drawing and used my new yellow ochre oil bar to lay a scribbled base on top of an A3 card I’d prepared with 2 coats of acrylic gesso. I’d normally work with very fine pens, doing lots of linear detail. I prefer oilbars toContinue reading “Oily Scribbling”
Tired And Manky
I spent the afternoon at Swansea Print Workshop, editioning a photopolymer intaglio plate. First I cut 15 pieces of BFK Rives 250gsm paper and put them to soak in clean water. I set up my workspace around the hotplate that I preheated and put some Intaglio Printmaker’s drypoint shop mix oil-based ink in black ontoContinue reading “Tired And Manky”
Renaissance Head
Just got back from life drawing at Swansea Print Workshop. Filthy night, really cold, pouring rain and blowing a gale……and today’s the first day of Spring. Joke! Anyway, our model is great to draw, he has a very Renaissance head and excellent muscle and bone definition. I previously used up some offcuts of mount (matte)Continue reading “Renaissance Head”
Bits And Pieces
It’s tempting to try and do a complete drawing during the weekly Life Drawing sessions as I use so many of these sketches to develop into monotypes and mixed media pieces. But I also want to use the time to practice my craft and sometimes I focus on different parts of the model rather thanContinue reading “Bits And Pieces”
Cat ‘n’ Cheeses
I spent a busy morning at the print workshop, making a small edition from a photopolymer intaglio plate for the excellent Leftovers IV. It’s a little portrait of Sparta Puss, my furry feline felon. When I got back, I settled into my comfy chair with a modest cheese sandwich and a mug of tea forContinue reading “Cat ‘n’ Cheeses”
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