I started making this aquatint plate back last September the first time I spend a weekend at Trefeglwys Print Studio, but it was the third plate I made that weekend and I didn’t finish it. So during my recent, second, visit to Trefeglwys, I prioritised finishing and proofing it. Here it is being inked upContinue reading “Vermilion!”
Author Archives: Rosie Scribblah
Making A Start
I’ve got a few ideas to develop and I’m at the starting point, doing some research. I want to do something with figures in very classical, strong poses so I’m flicking through my art history books to analyse how artists in the past have done it. Here are some scribbles of a classical EgyptianContinue reading “Making A Start”
The Difference
Preparing an etching plate or a wood block or a silk screen is just the first stage of creativity in making an original print. The second creative input comes with the actual printing – the inks, papers and special effects you use. I printed the one above using the ‘double drop’ technique, printing theContinue reading “The Difference”
Drawing Black
Drawing black is hard. So is drawing animals, well for me anyway. I’m pretty good at drawing cats now as I’ve had decades of practice and they tend to keep still. I haven’t quite got dogs though. Husb and I are puppy-sitting for a week, a little black Pomerpoo (Pomeranian Poodle cross). She hasContinue reading “Drawing Black”
Metal Marbling
I’ve done marbling onto paper before but this is marbling onto an etching plate. I spent the weekend at a masterclass in etching at Andrew Baldwin’s Trefeglwys Print Studio in Powys. We covered quite a few processes and I’ve wanted to see this one for a while. Andrew marbles a metal plate with hisContinue reading “Metal Marbling”
I’ve spent the weekend at Trefeglwys Print Workshop exploring etching with Andrew Baldwin. One of the things I learnt was how to print a ‘double drop’ plate, where the plate is printed twice on the same piece of paper in different, complementary, colours. It’s not easy, you have to be very precise, but it’s worthContinue reading
Proofing
I’m spending the weekend at the fabulous Trefeglwys Print Studio doing some etchings with master printmaker, Andrew Baldwin. I have been working on an aquatint today, on a zinc plate. Here’s the first proof. It’s too dark so I tried thinning the ink with extender but it didn’t lighten it enough so I spent theContinue reading “Proofing”
All About Eve…
Last night, Husb and I went to our local cinema to see a link up with National Theatre Live in London broadcasting a performance of the play All About Eve, directed by Ivo van Hove and starring the superlative Gillian Anderson, whose performance was outstanding. The whole cast were tremendous and the set design wasContinue reading “All About Eve…”
Gouache And Black Paper
Yesterday I visited a fabulous exhibition by Swansea-based artist, Tim Kelly at Volcano, and browsed through one of his sketchbooks which was made up of black paper. It looks like he used gouache and gel pens (although I may be wrong) and I really liked the effect. I happen to have had a black paperContinue reading “Gouache And Black Paper”
“Could It Be Possible”
Husb and I dropped by Volcano on Swansea’s (infamous) High Street today to check out their new exhibition, “Could It Be Possible” by Tim Kelly, one of my favourite contemporary artists whose art practice is completely immersed in painting and drawing. I love his work, it’s vibrant, intuitive and accomplished. He also creates installations featuring drawingsContinue reading ““Could It Be Possible””
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