Having A Play

I started this piece a few weeks ago. It’s for an exhibition, “A Victorian Tapestri” which starts on September the 25th.  I cut the 12 pieces of lovely Somerset Velvet paper from a vintage pattern for a Victorian corset. I will be coating each piece with an image in cyanotype, an archaic Victorian form of photographyContinue reading “Having A Play”

One From The Archives 9: The Cushion

Surrounded by symbolism, the interplay of shadows describes the form of the nude. This is an etching of one of the female models I work with and is developed from a nude study drawn with Renaissance materials, inspired by artwork I did for a television series about da Vinci. This type of etching allows meContinue reading “One From The Archives 9: The Cushion”

Drawing And Gonging

Coming up to the end of the second week at The Bagpuss Window and I’m getting on with the gigantic wall drawing, worked mostly intuitively. I’ve been pushing out of my comfort zone. I normally work directly from life, small, with fine pens and my drawing can be very tight and controlled. I want toContinue reading “Drawing And Gonging”

Popping Up

  This evening I did my third stint in a little pop-up studio at the Taliesin Arts Centre. I’m a member of an artist collective, 15 Hundred Lives, and we have an exhibition at Oriel Ceri Richards Gallery until the 26th of September. We’ve been given some space in the Taliesin foyer/bar to do liveContinue reading “Popping Up”

One From The Archives 8: The Mirrors

I like this style because it allows me to pick out the most essential aspects of a scene.  The drawing style I use most is the ‘continuous line’ method, where I keep the pen on the paper without taking a break and restarting in another part of the drawing. I also hardly look at theContinue reading “One From The Archives 8: The Mirrors”

Heston And Husb

I’m carrying on with the ephemeral  wall drawing I’m doing down at The Bagpuss Window, the pop-up artspace in a shop about to be demolished in Swansea’s High Street. The drawing will be demolished at the same time. I wrote some text, “The older you get, the more dead people you know” and this isContinue reading “Heston And Husb”

One From The Archives 7: Rinascere #7

The pose a model strikes can lend a lot to a piece of work. It is one of the reasons I work from life as much as I do. When I look at this, I see a person who is relaxed and confident as she sits in contemplation of her future. I might be readingContinue reading “One From The Archives 7: Rinascere #7”

One From The Archives 6: Straight Ahead

I like to work with a range of models and this middle aged woman is one of my favourites. She exudes confidence and is so comfortable in her own skin. I draw from life weekly at Swansea Print Workshop, working with professional artists and models. This underpins my artistic practice and inspires me to develop theContinue reading “One From The Archives 6: Straight Ahead”

One From The Archives 5: The Warrior Prone

I did a small series of full colour reduction monotypes a few years ago, working with a young soldier I know who is also a life model when he’s on leave. He loves modelling and he’s really good at it. From an artist’s perspective, it’s fascinating to work with a man in the prime ofContinue reading “One From The Archives 5: The Warrior Prone”

On The Move

Husb and I went to the gathering in support of refugees in the centre of Swansea this afternoon. There was a good turnout and I took the opportunity to have a few scribbles. Drawing in crowds is hard; people don’t stay still. You fix on one figure as your starting point but before you finish,Continue reading “On The Move”