Tag Archives: Creative Wales Award
1 Mar

CBJ

A sketch of a friend relaxing in a chair, using sanguine and white conté crayons and a Faber Castell Pitt drawing pen, size M into my A4 hardbacked sketchbook that I had previously prepared with pieces of brown wrapping paper stuck in with Pritt gluestick. Relaxed pose, relaxed drawing.

A Delicate Tracery

28 Feb

Drawing 3

 

I spent an hour or so making drawings of the same tree during my visit to Dinefwr Park last Sunday. I’ve never tried drawing a single tree before and certainly hadn’t done several studies. It was interesting moving around the tree and drawing from different angles and also varying my use of drawing media. In this, my final drawing, I used my home-made walnut ink  and a brush to block in the tree that was lying prone on the ground. Then I drew the strong lusty new growth in sweeping upward strokes of white conté crayon. Finally, with a sanguine conté I made jagged marks in the walnut ink while it was still wet and then sketched a delicate tracery of shadows on the white tree trunks. I’ve never worked like this before, the experience has given me a creative boost.

 

I joined a group of creative women just last Sunday, a women’s circle brought together the artist Fern Smith, a recipient of a Creative Wales Award who has organised “Seven Sundays in Spring: All The Women I’ve Ever Met“. This, the second, was in the 18th century landscape of Dynefor Park in Llandeilo.

 

INVITE

Reaching Lustily Skywards

27 Feb

Drawing 1

I joined a group of creative women just last Sunday, a women’s circle brought together the artist Fern Smith, a recipient of a Creative Wales Award who has organised “Seven Sundays in Spring: All The Women I’ve Ever Met“. This, the second, was in the 18th century landscape of Dynefor Park in Llandeilo. We walked in silent contemplation in the medieval Deer Park which was idyllic in the cold but bright Spring sunshine. I spent quite a bit of time drawing one tree. It had fallen and lay prone on the ground covered in moss, just a fraction of its original root system still anchoring it into the ground. But out of the twisted body of the fallen tree sprang large, strong trunks reaching lustily skywards.

I had taken a pot of my home-made walnut ink and some brushes, it seemed appropriate to draw the tree with ink made from the fruit of a tree. The ink is lovely to use, like drawing with liquid silk. I drew in sweeping broad strokes, capturing the essence of the shapes before me, rather than the detail in them.

 

INVITE

 

Creativity, Comfort And Curveballs

23 Feb

Donna and Kate

And here’s the final drawing I did at the creative salon organised by the artist Fern Smith, a recipient of a Creative Wales Award .  It was the first of “Seven Sundays in Spring: All The Women I’ve Ever Met“ , hosted by the glass artist Chris Bird-Jones. 

I found it not only creative but also very comforting. Life has been throwing some nasty curveballs lately and I was very grateful for the chance to spend a day with such creative and supportive women. I knew about half of the women already and the rest I had never met. It was lovely being with an intergenerational group, from women in their 60s (maybe 70s?) all the way down to a baby girl of seven months. I drew into an A4 hardbacked sketchbook that had been prepared with ripped brown paper stuck in with Pritt Stick, drawing with white, black and sanguine conté crayon and Faber Castell Pitt drawing pens, sizes S and M.

If you want to find out more about “Seven Sundays In Spring“, here’s Fern’s blog about it.

 

A Higgledy-Piggledy Gothic Place

21 Feb

Lesley

Here are two more drawings I did last Sunday at a creative salon for women that I went to. It certainly gave me a creative boost and has helped to gel some ideas for development I’d been mulling around.

Jo and Phoebe

The salon was organised by the artist Fern Smith, a recipient of a Creative Wales Award who has organised “Seven Sundays in Spring: All The Women I’ve Ever Met“ to bring together creative salons across Wales (and one in England). This was the first and was hosted by the glass artist Chris Bird-Jones in her lovely Victorian house that clings higgledy-piggledy to the steep hill above Swansea city centre. The striking interior lends a Gothic atmosphere to the drawings.

Tampered With…

20 Feb

Jo

On Sunday, I went to a Women’s Creative Salon in Swansea, with a group brought together by the artist Fern Smith. Fern is a recipient of a Creative Wales Award and has organised “Seven Sundays in Spring: All The Women I’ve Ever Met“, inviting women that she’s encountered throughout the course of her life to engage in these consecutive creative Sundays in Wales  and England.

Jo reading

The sketches I did on Sunday were challenging because I wanted to be fully involved in the creative conversations and activities but also wanted to do credible drawings. I drew into an A4 hardbacked sketchbook that I’d prepared by sticking brown wrapping  paper onto the pages with Pritt stick.  I prefer to work on paper that has been tampered with in some way. A pristine white page is terrifying!

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