On The Hoof

Did some speedy sketching out and about. I put some basic lines down very quickly in pale grey graphite then worked over it when I got home with dark graphite in my A5 Tate Gallery sketchbook. It’s difficult to do much detail when you’re sketching on the hoof, so I find it useful to justContinue reading “On The Hoof”

Impossible Lashes

Husb and I have a small visitor having a sleepover. He’s 10 and his face is starting to elongate but still has childlike chubbiness. Very young faces are so hard to draw, no wrinkles, no saggy bits, very few visual cues to go on. I used graphite into my A5 Tate Gallery sketchbook. Why doContinue reading “Impossible Lashes”

Tube Heads

Husb and I went to London on Saturday to take in some art and I always take the opportunity to do some sketching on the Tube. It’s not easy because the trains shake around a lot and they’re packed, especially at the weekend, but I managed a couple of decent heads. The first is usingContinue reading “Tube Heads”

Bigguns

  I’ve spent the past two days at the Creative Bubble artspace in Swansea City Centre, with the 15 Hundred Lives art collective. We have the venue every month to give us the space to work together, try out new ideas and we open the doors to the public so that people can drop inContinue reading “Bigguns”

Dark Impressions

I’m carrying on with working dark on dark. I prepared lots of pages in my handmade Khadi sketchbook with an Indian ink wash and I’m working on top with random marks using different drawing materials such as carbon, graphite block, black pastels, black oil bar, compressed and willow charcoal. I admire artists who work fromContinue reading “Dark Impressions”

Three Heads

I did these three studies a while ago. I wanted to try out different approaches with the same approach, so I did one with compressed charcoal (it’s quite choppy); two with ink and pen, one right handed and one left.  The two done with my right (normal) hand are a better likeness but there’s aContinue reading “Three Heads”

Getting Down And Dirty

Day 2 in Boise, Idaho and I’m nearly over the jet lag and settling in to work with a group of Boise artists to develop work for a group exhibition. First day and we’re working on drawings in the manicure noire style, which means getting proper grubby. Once the paper had Ben smeared with compressedContinue reading “Getting Down And Dirty”

More Manky Woman Artist #MWA

To carry on with yesterday’s theme of Manky Women artists, here are the steps to making a manier noir drawing which is deliciously grubby. I started by stretching large pieces of Fabriano 240gsm paper onto a wall, soaking them lightly. When they were dry I gave them 2 coats of acrylic gesso, leaving them toContinue reading “More Manky Woman Artist #MWA”