My final 2 sketches at the life drawing session, numbers 7 and 8, both 30-minute drawings of the same pose. The last one if the best likeness and I drew these two in a 10 x 15 cm rectangle, so I can transfer straight to a lino block. And then get carving.
Tag Archives: printmaking
#Caturday: Two Cats And A Horse
There’s an Open Weekend at Swansea Print Workshop coming up (see below) and I’m sorting out some of my work to put on sale. I’ve been doing some little linocut prints onto postcards so I’ll pop these into small frames and sell them at relatively low prices. They are all embellished with chine collé, usingContinue reading “#Caturday: Two Cats And A Horse”
#Caturday: Winter Window
It’s #Caturday Saturday again and here that little block I cut last week, printed in black with a touch of gold foil chine collé highlighting the moon. The foil is from sweets (candies); there are fewer manufacturers making them these days, I find them in upmarket retailers and traditional old-fashioned sweet shops.
Winter Cat
I’ve got a community arts teaching session coming up this week, we’ll be doing Xmas / Winter-themed lino cuts. I’m getting one prepared in advance, I’ve drawn the design onto a piece of traditional grey lino, ready to cut. This traditional material is made from linseed oil, pine resin and wood flour onto a juteContinue reading “Winter Cat”
Reusing Sweet Papers
Today I did a bit of preparation for printing. It’s a technique called chine collé, where you put colour into a print using pieces of fine paper (tissue, mulberry etc…) or foils. I used the polished wooden spoon to burnish the foils – they’re recycled from sweets and biscuits so they’re crinkly and I wantContinue reading “Reusing Sweet Papers”
A Silver Anniversary
This year is the 25th anniversary of the opening of Swansea Print Workshop, where I spend many happy hours drawing and making prints, usually linocuts or woodcuts but also sometimes etchings and screenprints. It’s a great facility for artists across South Wales and it’s entirely run by the members who are the artists who useContinue reading “A Silver Anniversary”
Mulberry Paper And The Ghost Prints
Here are some of my little linocuts on the drying rack at Swansea Print Workshop. I’ve printed the block, “Should Bill Get Some Bacon?”, with a golden yellow mulberry paper as chine collé but I also took secondary, or “ghost” prints each time onto tissue paper to prevent the build-up of ink on the block.Continue reading “Mulberry Paper And The Ghost Prints”
It’s the Summer Exhibition at Queen Street Gallery in Neath this month, and I have five screenprints in the show. These small unique screenprints are based on drawings I did from the Swansea Museum archives – taxidermy birds and invertebrates. I also included some imagery based on rubbish – the sort that ends up inContinue reading
And More Legs Inked And Printed.
I didn’t stop at one pair of heavy metal legs, oh no, I did another (and I’ve got a third pair on the go). I’ve been drawing loads of them at gigs and I’m having a bit of fun carving them into lino and printing them up. They’re different to the ones I posted yesterday.Continue reading “And More Legs Inked And Printed.”
Legs – Inked And Printed.
Here’s the first print of my little linocut “Heavy Metal Legs” that I based on many sketches of legs at heavy metal gigs in recent years. It’s a 10 x 10 cm square ready for submission to Miniprint Cymru.
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