Tag Archives: printmaking

Cornflour And Vinyl

I carved a few small vinyl blocks today, based on my field drawings a few years back when I travelled around South Wales with pre-historian Dewi Bowen and film-maker Melvyn Williams. Dewi was researching his book, “Hunting the Wild Megalith“. I used cornflour sprinkled onto the blocks today, to get an idea of the carvingContinue reading “Cornflour And Vinyl”

The Process Of The Portrait: 3

I did a first proof of my new linocut portrait this week. I did as much carving as I thought necessary, following my decision to almost treat the flesh like a geographical feature (see here), and decided to print one to see what I had. I’m not 100% happy with it but I think I’mContinue reading “The Process Of The Portrait: 3”

The Process Of The Portrait: 2

I had to make some decisions today on how I would represent the skin in my portrait. I had cut around the main line drawing, I’ll refine it later, but the question then is do I carve out the main area of skin or not? The model has darker skin so I didn’t want toContinue reading “The Process Of The Portrait: 2”

The Process Of The Portrait:1

I carried on carving my little lino block portrait of one of the life models I work with at Swansea Print Workshop. I’ve done her hair and the outline of the main lines of her face, now I have to decide how I’m going to cut the rest. Lots of things I could do. Decisions…

One For Carving

My final 2 sketches at the life drawing session, numbers 7 and 8, both 30-minute drawings of the same pose. The last one if the best likeness and I drew these two in a 10 x 15 cm rectangle, so I can transfer straight to a lino block. And then get carving.

#Caturday: Two Cats And A Horse

There’s an Open Weekend at Swansea Print Workshop coming up (see below) and I’m sorting out some of my work to put on sale. I’ve been doing some little linocut prints onto postcards so I’ll pop these into small frames and sell them at relatively low prices. They are all embellished with chine collé, usingContinue reading “#Caturday: Two Cats And A Horse”

#Caturday: Winter Window

It’s #Caturday Saturday again and here that little block I cut last week, printed in black with a touch of gold foil chine collé highlighting the moon. The foil is from sweets (candies); there are fewer manufacturers making them these days, I find them in upmarket retailers and traditional old-fashioned sweet shops.

Winter Cat

I’ve got a community arts teaching session coming up this week, we’ll be doing Xmas / Winter-themed lino cuts. I’m getting one prepared in advance, I’ve drawn the design onto a piece of traditional grey lino, ready to cut. This traditional material is made from linseed oil, pine resin and wood flour onto a juteContinue reading “Winter Cat”

Reusing Sweet Papers

Today I did a bit of preparation for printing. It’s a technique called chine collé, where you put colour into a print using pieces of fine paper (tissue, mulberry etc…) or foils. I used the polished wooden spoon to burnish the foils – they’re recycled from sweets and biscuits so they’re crinkly and I wantContinue reading “Reusing Sweet Papers”