Tag Archives: printmaking

Ghost. Cake.

Yesterday I posted about the new monotype I made, based on a drawing from my travel sketchbook. The monotype process produces an unique piece in full colour, but it’s possible to put a second piece of paper (BFK Rives 250 gsm) through the press and take a secondary ‘ghost’ print which is much paler andContinue reading “Ghost. Cake.”

Drama In Rags

Yesterday I blogged some drawings I’d based on my travel sketchbook during my artist residency in Pakistan earlier this year. Today I developed one of these sketches into a full colour monotype down at Swansea Print Workshop. The technique involves inking up a perspex (plexiglass / acetate) plate with oil based printing inks and removingContinue reading “Drama In Rags”

Ethereal Ghosts

This is the last of the four monotypes I made on one day last week. The effort nearly killed me! I’m not young anymore. Anyway, this is the one I’m least happy with. I think it’s because I thought too much about it and tried to do too much detail. I was much freer withContinue reading “Ethereal Ghosts”

It’s Physical

Carrying on with the small full-colour monotypes that I did a few days ago. It was hard work being on my feet for hours on end. The lightbox is too high to sit down to work into the plates and I prefer to stand anyway; it’s a physical thing and I think my mark-making isContinue reading “It’s Physical”

More Of The Same

I had a marathon monotype session at Swansea Print Workshop yesterday and produced 4 full colour monotypes and 4 ‘ghost’ monotypes which is a record for me. I was corpsed at the end of it though. I drew the yellow and red plates in broad strokes with cotton rags and scrim (tarlatan). On the final,Continue reading “More Of The Same”

On My Feet All Day

I’m working on a series of full colour reduction monotypes at the moment and I spent all day at Swansea Print Workshop, on my feet! I’m exhausted. People don’t realise how tiring art can be. The series is based on small pastel drawings I did when I was in Pakistan earlier this year.  This techniqueContinue reading “On My Feet All Day”

Quality Counts

I spent a couple of hours at Swansea Print Workshop yesterday and carried on with the series of small monotypes based on impressionistic drawings of the Punjabi landscape I travelled through earlier this year. The originals were drawn with Daler Rowney artist quality soft oil pastels into a Khadi handmade paper sketchbook. It’s important toContinue reading “Quality Counts”

Deckle Edge Ghost

Here’s the ‘ghost’ of the monotype I completed yesterday. It’s made by putting a second piece of paper on the plate and putting it through the press again to pick up what’s left of the ink. The ethereal image is very impressionistic, almost pointillist as the pigment fragments on the second pressing. I used CaligoContinue reading “Deckle Edge Ghost”

Thunder And Rodents

Just back from an evening Open Access session at Swansea Print Workshop where I did the third in a series of impressionistic monotype landscapes based on the residency I did in Pakistan earlier this year. This is one of a sequence I drew in a thunderstorm. Had a tough day. Sparta Puss the evil-kitty-from-hell, terrorisedContinue reading “Thunder And Rodents”