#Caturday – Quickly Drawn Cats

It’s #Caturday Saturday and here are some very quick sketches I did a while back of a cat mostly moving, which is rare! I drew speedily to try and capture the cats in action rather than details.

The Name Of The Stone …

I’ve been looking at Google maps recently, exploring the city online and finding interesting nooks and crannies. I knew about this Bronze Age stone in Bon-y-maen, to the North East of the city, and I have even visited and drawn it, but I never really gave much thought to the area around it. The nameContinue reading “The Name Of The Stone …”

#Caturday Saturday …

Double Trouble for #Caturday. A collage I did of our new-ish rescue kitty, William Chatnoir (Bill for short). Now she’s settled in, got her paws under the table, she’s a little troublemaker. Like the rest of them! Wouldn’t be without her though xxx

Deep In Focus.

I was at the Riverside folk club the other evening and scribbled away in my sketch book. This performer was deeply focused, very wrapped up in performing. I used a 2B Koh-i-Noor graphite block into a square Khadi handmade paper sketchbook.

Feisty Folkie With Risqué Rhymes.

This guy was a hoot at the Riverside Folk Club the other evening. No refined refrains for him, straight into some robust renditions of saucy songs.

The Joy Of Drawing!

Sometimes I just want to draw for the sheer joy of it. Some people love to sing, or to run as fast as they can. I love to draw. I was at the Riverside folk club the other evening and scribbled away in my sketch book. I often draw musicians and audiences at music events,Continue reading “The Joy Of Drawing!”

Work In Progress: Miner’s Wives 4.

Last week I did 3 versions of my drawing of Miner’s Wives confronting the police (1984/85) onto Mark Resist film (see below). Today I chose the fine line drawing on the right to develop with Indian Ink and brushes. There’s still a lot to do before I expose it onto a photo-sensitised screen but IContinue reading “Work In Progress: Miner’s Wives 4.”

The Transfer.

I’m doing a couple of prints inspired by the Welsh Miner’s Wives in the strikes of 1984-1985. I’ve finalised the content for the linocut and today transferred the drawing and text – backwards – onto a 30×30 cms block of soft grey hessian-backed lino. I sharpened my tools (Flexcut) on the leather slip strop andContinue reading “The Transfer.”