Today was day 2 of a Masterclass with woodcut artist John Abell at Swansea Print Workshop and I carried on cutting the humongous piece of MDF I started yesterday. I used compressed charcoal to darken the surface while I cut with my Flexcut tools. Finally, I reached the point where I wanted to get anContinue reading “A Humongous Proof”
Category Archives: Arty Stuff
Humongous!
I am doing a two-day masterclass with epic printmaker, John Abell, at Swansea Print Workshop. John specialises in humongously large woodcuts, click here to see some of his awesome work. I’ve done some small woodcuts before, on plywood, but didn’t really get on with the method. Today, I was presented with a table-sized lump ofContinue reading “Humongous!”
Blobs And Scribbles And A Milestone
Here’s a second head study I did at Swansea Print Workshop’s life drawing session this week. It was the last sketch of the evening and I did it in about 10 minutes. I think it’s my favourite from the night because it was so quick, more lively than the ones I concentrated on. I usedContinue reading “Blobs And Scribbles And A Milestone”
Virtual / Physical
Just back from the weekly group at Swansea Print Workshop. Tired now. I did some portrait studies and a full length nude. I used my Samsung Galaxy Note 8 with the free Markers app. I’m getting a bit fed up with it so I think I’ll prepare a load of paper and get backContinue reading “Virtual / Physical”
One From The Archives 23: The Mirror
Reflection, musing on masculinity. Having a large mirror in the life drawing room can add a lot to any drawings. From a purely technical point of view it means you can draw a figure from the front and back at the same time without it looking like two separate drawings. I also like to experimentContinue reading “One From The Archives 23: The Mirror”
One From The Archives 22: The Gaze
This model gazes at the viewer, completely at ease and totally confident in her own skin. Most life models are by nature, confident about their bodies and have no problem with being looked at. It is their job after all. Usually though, they tend to look away from the artists. On a purely practical level his isContinue reading “One From The Archives 22: The Gaze”
One From The Archives 21: Nude Reflected
I love this printmaking technique. It has all the flexibility of painting with a healthy dose of unpredictability thrown in. . A full-colour monotype can be as simple or as complex as you like. This one started out as a very simple life drawing and just developed into something wild and wonderful. This is aContinue reading “One From The Archives 21: Nude Reflected”
One From The Archives 20: Spiky Purple Hair
The first time I blogged this image was a turning point for me, as can be seen here. This painting featured in the last ever exhibition I curated at The Brunswick in Swansea. It is based on a drawing of one of our more colour coordinated life models. He had a habit of matching hisContinue reading “One From The Archives 20: Spiky Purple Hair”
Allotment Break
I spent almost all of September at The Bagpuss Window, a semi-derelict shop that became a spontaneous artspace for a few weeks before demolition. Ironically, after our awful summer of torrential rain, September was glorious and I was stuck indoors for most of it. I took the keys back to the owners last Thursday andContinue reading “Allotment Break”
One From The Archives 19: Eve Sleeps
I love the versatility of this method. It has a fantastic range of darks and lights, as well as a dazzling palette. A full-colour monotype is also a unique artwork because of the way the ink is applied to the paper. In this print I have used the warm, vibrant reds and yellows of theContinue reading “One From The Archives 19: Eve Sleeps”
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