‘What Do Artists Do All Day? IV’

I’m a member of an art collective called 15 Hundred Lives and we have a regular event at the Creative Bubble Artspace in Swansea. We open the door to the public for two days a month and invite people to see what it is that artists do all day. Many people only experience art onceContinue reading “‘What Do Artists Do All Day? IV’”

Recycle and Reed

Here’s the last drawing I did at the most recent life drawing session at Swansea Print Workshop. I worked on a piece of paper that had an image by an artist who has been working at Mission Gallery. Shaun James had produced a load of drawings and was giving them away. So I took aContinue reading “Recycle and Reed”

Practice And Pineapple Pud

Here’s another page of drawing I did at last week’s life drawing session. It’s  a practice piece where I tried sketching different bits of the model for practice. Her hand was particularly difficult because of a lot of jewellery and she was clutching a handkerchief. The foot was much easier to draw. I used aContinue reading “Practice And Pineapple Pud”

Digital Male Nude

  I took my Samsung Galaxy 8 Tablet to life drawing a couple of weeks ago, partly to keep practicing with it and partly because I was too lazy to get my paper and drawing materials together; it’s so easy to slip a tablet into your bag and away you go. I’m not enjoying itContinue reading “Digital Male Nude”

In The Zone

I’m working flat out to make 20 new small drawings for a group exhibition at The Brunswick in December. I’m making transfer prints from digital photos I’ve taken and then drawing on top of them in Indian ink. I print out a digital photo in standard inkjet inks (good quality ones don’t work) on cheapContinue reading “In The Zone”

Freeing Up

Just back from life drawing at Swansea Print Workshop. I try to get there every week for practice. I don’t go to produce a perfect drawing; it’s a chance to loosen up and try out different things. I’ve been working on some small, very detailed ink drawings lately and I felt like freeing myself upContinue reading “Freeing Up”

Ghosts

I’ve been making full-colour monotypes the past couple of weeks and the technique gives one intensely coloured print and one lighter, ghost, print. This is because after you’ve taken a full-colour print, you put the plate back through the press with another sheet of paper to mop up the ink remaining on the plate. HereContinue reading “Ghosts”

Reality And Virtuality.

I’ve been at the Print Workshop grafting on some  full-colour monotypes for the new exhibition. Here’s the second one finished. I posted stages one and two yesterday; this is what it looks like after the final, Process Blue, layer. I’ve used Intaglio Printmakers relief/litho oil-based pigment onto BFK Rives 250gsm paper. Back in the summer,Continue reading “Reality And Virtuality.”