A beautiful drawing from a relatively new blogger with a love of sketchbooks………
Comfort Food
Second day of Spring and what am I cooking for tea? Casserole and rice pudding. Proper Winter fodder because of the torrential rain, gale force winds and freezing temperature outside. No chance of a nice light salad for some time to come. Here’s another sketch I did last night at the life drawing group. It was very difficult to photograph because the Indian ink lines have reflected the light and gone white in some places. I also used white conte crayon for highlights.
Renaissance Head
Just got back from life drawing at Swansea Print Workshop. Filthy night, really cold, pouring rain and blowing a gale……and today’s the first day of Spring. Joke! Anyway, our model is great to draw, he has a very Renaissance head and excellent muscle and bone definition. I previously used up some offcuts of mount (matte) board and schlepped white acrylic gesso and grey ink wash over them to break the unrelenting surface. This one was a mid grey to start with. I worked onto the board with black and white conte crayons. It’s fairly small, a bit less than A4.
More Manky Woman Artist #MWA
To carry on with yesterday’s theme of Manky Women artists, here are the steps to making a manier noir drawing which is deliciously grubby.
I started by stretching large pieces of Fabriano 240gsm paper onto a wall, soaking them lightly. When they were dry I gave them 2 coats of acrylic gesso, leaving them to dry between coats.
Then I prepared two with compressed charcoal, rubbing it in with my hands until there was an even black coat. The third was scribbled with graphite block which was then smoothed with a rag dipped in turpentine.
Here they are ready for ‘drawing’ which I do using wire wool and sandpaper, scraping the black away to reveal the highlights and tones.
And here’s one of the drawings on compressed charcoal. When they’re finished I spray them with commercial fixer for charcoal and pastel. The charcoal and graphite give different blacks; the graphite has a silvery sheen while the compressed charcoal gives a much denser matt black.
Manky Women Artists #MWA
I don’t often go on Twitter because it steals my life away, but I was on it for a while earlier today and shared a bit of a joke with some other women artists. We were all tomboys as kids and now we’re all grown up, we don’t do frocks and stilettos, fancy nails and killer heels. No, we slouch around in overalls, steel toecap safety boots and our nails are either full of ink and paint or chewed down to the quick. Manky Women Artists. MWAs, the new YBAs?
In keeping with the manky theme, here’s something I’m working on at the moment. I stretched some heavily soaked, ripped and distorted Arches paper, about size A0, against a large board and gave it a couple of coats of rabbit skin glue followed by a quick wash in yellow ochre acrylic as the ground. Then I used willow charcoal and compressed charcoal, scribbling and rubbing at random to get a varied background. I scrubbed at it with wire wool and sandpaper to pull out the highlights and now I’m putting in shadows and details with blocks of carbon. I normally work from life, but I’m trying to plumb the depths of my imagination with this one. It’s getting a bit Goya. And mucky.
If you’re a manky woman artist, come and join in on Twitter #MWA. If you’re a manky male artist, oo-er! Best keep that to yourself 😀
His Life On A Trolley.
This is the last of my scribbles from London. It was a bitterly cold evening and as we were waiting at Paddington train station to come home, I saw this homeless man sitting in front of us, his life packed onto a supermarket trolley, including a walking stick. One of his legs was in plaster and he wore a comedy fake-fur tiger hat. He was a nice man, chatting companiably to people nearby, sometimes dozing and thankfully he wasn’t hassled to move on by station personnel. I don’t know what his story is, but no doubt our present government would say it’s his own fault for being poor.
Study Scribbles
I normally scribble my daily life in my sketchbooks but sometimes I use them for research and study. These sketches above are from the current Ice Age Art exhibition at The British Museum, showing some female figurines, a mammoth spear thrower and various carved patterns that may be derived from entoptic phenomena, or images that are seen when the eyes are closed, sometimes under the influence of trance or hallucinogenic substances. Richard Rudgely‘s book discusses this sort of imagery in Stone Age art at length.
I love Assyrian art and always visit that section in the British Museum. Their carvings and sculptures are very detailed and I sketched some decorative motifs (above) and these giant talons (below), part of a complex man/beast. The Assyrians were creating these hybrid creatures centuries before the more famous Egyptian examples.
Black On Black
First off, Wales won the Six Nations Cup in the International Rugby today. A great end to a fab week. At the start Husb and I were in London for a few days, taking in some exhibitions. The Ice Age Art show at the British Museum was fantastic and it’s influence stayed with me during life drawing group on Thursday. We had a model who reminded me of the sculptures I’d seen at The British Museum so I pushed out of my comfort zone and used similar materials to the ones available to paleolithic artists, lumps of graphite, charcoal, chalk and carbon. I couldn’t use my usual fine line style so the drawing developed tonally using diagonal strokes, pulling the figure out of the darkness. It’s about A4 size and I prepared the background with a block of graphite before drawing on top. I like the effect of the different blacks on black. It’s on handmade paper I bought from the Tate gallery a couple of years ago.
Jewels Of The Courtauld
My sketchbooks are mainly a record of my daily life and to practice drawing. When I’m visiting galleries and museums I like to study the artwork and make visual and verbal notes. Husb and I visited the Courtauld Gallery this week and saw their amazing exhibition, ‘Making Picasso’, his early art. I’m one of those annoying people who get up really close to see the brushstrokes and try to work out how the artist has done it. This is a scribble of ‘Casagemas In His Coffin‘ from 1901, an after-death portrait of a friend who committed suicide and allegedly the first of Picasso’s sombre Blue Period work. I particularly liked the very loose brushstrokes picking out the details – they look like scribbled lines. He did several versions and I believe the one in this exhibition is in oil on cardboard.
On the right is a quick sketch of the main features of a tiny painting of Mary Magdalene in tempera by Fra Angelico. It’s an exquisite little jewel. It’s an early Renaissance piece, combining a very formal rendering of the drapery with a much more naturalistic approach to the head and hands, which I sketched very quickly. Although the paintings are minute, Fra Angelico has painted them with so much expression – the figure in this painting looks much more angry than in my scribble. The Courtauld is a fantastic gallery and with half price on a Monday, was only £3 each to get in.
Another Hat Another Hairdo
Sketching on the London Underground is great because no-one looks at you and if anyone happens to make eye contact, they look down again immediately. So I can indulge my voyeurism and scribble away. Here’s a great hairdo above and below a rather fetching hat – it was freezing and snowing while we were there.
Problems with drawing on the Tube though, it wobbles like mad so the scribbles can get very shaky and your victim – er I mean subject, might get off at the next stop so you have to draw the essentials quickly and if you’re lucky you’ll have the chance to fill in some details as well. Good practice.
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