I’m decluttering, sorting and storing loads of old work and I’ve been skimming through some old sketchbooks, loads of things I’ve forgotten. Here’s a page of sketches from the beach probably, about 9 years ago. There’s a good range of male body types here – the bellies are fun to draw but it’s surprising how many men were still wearing “Speedos”, or budgie smugglers as we call them round here.
I’m on a mission to sort out my art cupboards, declutter and store things properly. I’ve been flicking through old sketchbooks and finding all sorts of things I’d forgotten about, like these little thumbnail figure drawings, probably drawn from a book …. I can’t remember. They’re fun though.
I also made some Welsh Cakes. They’re called “pice ar y maen” in the Welsh language, which translates as “little cakes on the stone” – the griddle is also often called a bake-stone in English. I’m scoffing one now, still warm and fragrant with vanilla and nutmeg, loaded with juicy golden sultanas.
The excellent 9to90 Art Community runs free art classes every Friday and I’ll be the guest tutor for the next few weeks.
“On Friday 3rd November we are starting a very special 3 week drawing and printing course with artist and 9to90 all time favourite tutor Rose Davies. The course is based around the Mari Lwyd, an ancient Welsh tradition where a life size puppet based on the skull of a horse is paraded through towns and villages to welcome the New Year.
Starting on November 3rd (at Swansea Museum. 1.30-3.30) Rose will guide you on drawing from a horse’s skull and a Mari Lwyd,
Preparing for class number two- A Lino cutting session in the second class on Friday November 10th (at GS Artists, 1.30-3.30pm) .
Then in the week three, the 3rd session on November 17th (at GS Artists, 1.30-3.30pm) we will be printing up your Mari Lwyd blocks on paper using chine collé, and onto natural fabric with textile ink.
Please book in via the Eventbrite link here, and it would be important to be able to come to all 3 sessions.
With free hot drinks, snacks and lots of chat, we look forward to seeing you.”
As well as an artist, I’m an educator, working for decades in adult education, particularly with people who don’t normally fit into mainstream educational provision. I’m running a short introductory course in screenprinting at the moment, using paper stencils. The idea is to build up an image with several layers of ripped and/or cut stencils. I work alongside those I’m teaching, demonstrating the technique. Stage 2 completed – what next? Hmmmmm ……
There’s no glamour in being an artist, there’s loads of messiness and cleaning up. It’s also expensive and it’s important to reuse and recycle as many materials as possible. There’s always a lot of screenprint inks left over after courses at Swansea Print Workshop and if they’re stored properly they can be usable for months. It’s a bit of a problem finding the right storage system though. Glass jars are not very safe in a workshop setting and plastic polypockets can get messy. So today I tried out some small (10 oz) IKEA foodbags and they worked a treat. They look quite cute too.
Husb and I popped along to an event in Swansea’s City Centre on Saturday, drawing attention to the proposed Skyline development on Kilvey Hill, which is a much loved and valuable nature reserve reclaimed from industrial pollution. This Green Man turned up. He was very tall. And leafy.
When I was little, the hill was completely black, nothing grew there, it was dead, killed by the Industrial Revolution. Then in the early 1960s, Swansea University began the “Lower Swansea Valley Project” to experiment with reclaiming industrial wasteland. It was a phenomenal success and in 60 years the hill has become a beautiful wooded nature reserve, full of streams, ponds and wildlife.
I had so much fun with Photoshop and William ChatNoir (aka Bill) yesterday that I had another go today. I put Bill through a Poster Edges filter and then into a Gradient Map with Orange, Yellow, Red and Blue. Poster Edges really picked out the subtle patterns on the voile curtain.
Bill is an elderly black cat, she’s 13 and came via the Cats Protection rescue centre in Bridgend after her human died. She was very depressed when she first arrived, about 3 months ago. She’d spent her life with one person and then she was taken to a rescue cattery and never saw her human again. Then we brought her home to a strange house with a 13 year old Naughty Tortie.
If you can find space for a little one – or if you can make a donation – please think about your local animal shelter. Thank you
I took a few photos of our new rescue kitty, William ChatNoir, or Bill for short, on our window seat, backlit against the spiral net curtain. She’s a black cat and the photos are perfect silhouettes in black and white, and I fancied playing with some of them in Adobe Photoshop.
I ramped up the contrast on this one, then put it through a Film Grain filter and then chose an orange and teal colour option in Gradient Map. Fun.
She’s been with us for about 3 months now and she came via the Cats Protection rescue centre in Bridgend. The cat charities are full to bursting – same with dogs – so if you can find space for a little one – or if you can make a donation of food or money, please think about your local animal shelter. Thank you ❤ xxxx
Today is #InternationalBlackCatDay and here’s our not-very-international black cat Bill (short for William ChatNoir – blame Husb – he’s a Trekkie). She’s been with us for about 3 months now and she came via the Cats Protection rescue centre in Bridgend (she was originally Phoebe). Husb and I had been thinking about adopting an older cat for a while, as company for our elderly Naughty Tortie, Sparta Puss. Older cats are much harder to place, people want kittens. Black cats get overlooked too – some people think they’re bad luck, others think they’re not photogenic enough for the Internet.
A few days ago I did a short online art course, the Saturday Sketch Club with the Royal Academy of Arts. The session was about drawing from the imagination with the artist Emyr Williams. It was so good for me because it’s something I just don’t normally do, I like to work from what’s in front of me.
We started by drawing random curves (left above) all over a sheet of paper, I used a Chinagraph pencil. Then we added more curves to parts of it to try and create a tree from the space (top image). At no time did we look at a tree. It was inspired by the tree drawings and paintings of Piet Mondrian (right above).
I’d admired Mondrian’s trees for some time, they’re so different to his eventual rigid geometric paintings. This drawing exercise was about 10 minutes.
scribblah 