Tag Archives: printmaking

From Drawing To Lino Print

This is the third portrait drawing I’ve turned into a linocut print since since I started back at Swansea Print Workshop after a long break (see here). Below is the original sketch with the different stages of the process – carving the block and then inking up with Cranfield SafeWash Relief ink. COME AND LEARN HOW TOContinue reading “From Drawing To Lino Print”

Carving the Portrait: 1

Here’s another small block of grey lino that I’m turning into a portrait. The original sketch was done during a life drawing session at Swansea Print Workshop and I’ve traced and reversed it onto the block and started cutting. I’m using traditional lino with Flexcut carving tools and the Flexcut Slipstrop system to keep theContinue reading “Carving the Portrait: 1”

Cornflour And Vinyl

I carved a few small vinyl blocks today, based on my field drawings a few years back when I travelled around South Wales with pre-historian Dewi Bowen and film-maker Melvyn Williams. Dewi was researching his book, “Hunting the Wild Megalith“. I used cornflour sprinkled onto the blocks today, to get an idea of the carvingContinue reading “Cornflour And Vinyl”

The Process Of The Portrait: 3

I did a first proof of my new linocut portrait this week. I did as much carving as I thought necessary, following my decision to almost treat the flesh like a geographical feature (see here), and decided to print one to see what I had. I’m not 100% happy with it but I think I’mContinue reading “The Process Of The Portrait: 3”

The Process Of The Portrait: 2

I had to make some decisions today on how I would represent the skin in my portrait. I had cut around the main line drawing, I’ll refine it later, but the question then is do I carve out the main area of skin or not? The model has darker skin so I didn’t want toContinue reading “The Process Of The Portrait: 2”

The Process Of The Portrait:1

I carried on carving my little lino block portrait of one of the life models I work with at Swansea Print Workshop. I’ve done her hair and the outline of the main lines of her face, now I have to decide how I’m going to cut the rest. Lots of things I could do. Decisions…

One For Carving

My final 2 sketches at the life drawing session, numbers 7 and 8, both 30-minute drawings of the same pose. The last one if the best likeness and I drew these two in a 10 x 15 cm rectangle, so I can transfer straight to a lino block. And then get carving.

#Caturday: Two Cats And A Horse

There’s an Open Weekend at Swansea Print Workshop coming up (see below) and I’m sorting out some of my work to put on sale. I’ve been doing some little linocut prints onto postcards so I’ll pop these into small frames and sell them at relatively low prices. They are all embellished with chine collé, usingContinue reading “#Caturday: Two Cats And A Horse”

#Caturday: Winter Window

It’s #Caturday Saturday again and here that little block I cut last week, printed in black with a touch of gold foil chine collé highlighting the moon. The foil is from sweets (candies); there are fewer manufacturers making them these days, I find them in upmarket retailers and traditional old-fashioned sweet shops.