Tag Archives: printmaking

One From The Archives ….

One of my favourite places is Paviland, a strange otherworldly cove on the coast of the Gower Peninsula which is the site of the Goat’s Hole Cave, famous for the skeleton of the  “Red Lady of Paviland“, which is actually a young man. From the main road, it’s a fair walk across fields via aContinue reading “One From The Archives ….”

The Final Print …. The Exhibition

This screenprint I did inspired by the Miners Wives in the Miners Strike of 1984-1985 has been accepted into the Miners Imprint exhibition at Taliesin Arts Centre, beginning tomorrow (April 20th) from 13.00 – 15.00. The work was commissioned by Swansea University to commemorate the 50th anniversary of the creation of the Miner’s Library andContinue reading “The Final Print …. The Exhibition”

Grym : Power.

The rough hewn cut-marks gouged into the lino form cloisons that enclose shiny jewels of metallic watercolours. The block is printed in the deepest black oil-based ink onto a Japanese HoSho paper and when dry, watercolour paints are applied with the finest Isabey squirrel brushes. I’ve been working on a collaborative project with the multi-disciplinaryContinue reading “Grym : Power.”

Collaboration!

I’ve been working on a collaborative project with the awesome Welsh rapper and multi-disciplinary artist RUFUS MUFASA  and nine other women artists in Wales – ANGELA KARADOG, HANNAH HITCHINS, RHIAN ANDERSON, FRANCESCA KAY, HELEN MALIA, KARLA BRADING, ELIN REES, VIVIAN RHULE, LYNNE BEBB and me, ROSIE SCRIBBLAH. Our work is going to be exhibited in SwanseaContinue reading “Collaboration!”

Metallic Bits …

I’ve been working on a typographic linocut recently, a collaboration with the awesome Welsh rapper and multi-disciplinary artist Rufus Mufasa and nine other women artists in Wales . She’s about to release her new bilingual album Tri(ger) Warning(s), which has been steered by a number of key Welsh language words. Each artist has chosen oneContinue reading “Metallic Bits …”

Smiling And Splendid Women.

I’m still trying out some ideas for my next artwork, which I’m basing on the South Wales Miner’s Wives in the Miner’s Strike of 1984 / 1985. I’m taking inspiration from a documentary video made at the time by the late Professor Jen Wilson. The film is on YouTube and although a bit clunky byContinue reading “Smiling And Splendid Women.”

An Archaic Artform.

I’ve been cutting some small experimental lino blocks to try out different ideas for a new piece of artwork based on the Welsh Miner’s Wives in the Miner’s Strikes in the 1980s. I cut one based on a newspaper photograph and one featuring text from a song sung by women on the picket lines. IContinue reading “An Archaic Artform.”

Inspired By P.P.P.

Back to Swansea Print Workshop this afternoon, third day in a row, carrying on with little experimental blocks researching my next print about the Miner’s Wives in the 1980s Miner’s Strike. I want to put some text into my work so I had a bit of a play with a lino block and some letteringContinue reading “Inspired By P.P.P.”

Re-Visiting Monotype.

I spent a happy morning down at Swansea Print Workshop today, re-visiting a technique I used to do loads – it’s called the 3-Colour Reduction Monotype (or 3-Colour Stacking Monotype). I haven’t done this since before Covid19, over 4 years, maybe longer. Why does time shoot by so fast? I based this monotype on aContinue reading “Re-Visiting Monotype.”