A Green Man In The City.

Husb and I popped along to an event in Swansea’s City Centre on Saturday, drawing attention to the proposed Skyline development on Kilvey Hill, which is a much loved and valuable nature reserve reclaimed from industrial pollution. This Green Man turned up. He was very tall. And leafy.

When I was little, the hill was completely black, nothing grew there, it was dead, killed by the Industrial Revolution. Then in the early 1960s, Swansea University began the “Lower Swansea Valley Project” to experiment with reclaiming industrial wasteland. It was a phenomenal success and in 60 years the hill has become a beautiful wooded nature reserve, full of streams, ponds and wildlife. 

More Fun With Photoshop: Bill’s Story 2.

I had so much fun with Photoshop and William ChatNoir (aka Bill) yesterday that I had another go today. I put Bill through a Poster Edges filter and then into a Gradient Map with Orange, Yellow, Red and Blue. Poster Edges really picked out the subtle patterns on the voile curtain.

Bill is an elderly black cat, she’s 13 and came via the Cats Protection rescue centre in Bridgend after her human died. She was very depressed when she first arrived, about 3 months ago. She’d spent her life with one person and then she was taken to a rescue cattery and never saw her human again. Then we brought her home to a strange house with a 13 year old Naughty Tortie.

If you can find space for a little one – or if you can make a donation – please think about your local animal shelter. Thank you 

#Caturday: Fun With Photoshop: Bill’s Story 1.

Image 1 of 3.

I took a few photos of our new rescue kitty, William ChatNoir, or Bill for short, on our window seat, backlit against the spiral net curtain. She’s a black cat and the photos are perfect silhouettes in black and white, and I fancied playing with some of them in Adobe Photoshop.

Image 2 of 3.

I ramped up the contrast on this one, then put it through a Film Grain filter and then chose an orange and teal colour option in Gradient Map. Fun.

Image 3 of 3.

She’s been with us for about 3 months now and she came via the Cats Protection rescue centre in Bridgend. The cat charities are full to bursting – same with dogs – so if you can find space for a little one – or if you can make a donation of food or money, please think about your local animal shelter. Thank you ❤ xxxx

#InternationalBlackCatDay

William ChatNoir on the window seat.

Today is #InternationalBlackCatDay and here’s our not-very-international black cat Bill (short for William ChatNoir – blame Husb – he’s a Trekkie). She’s been with us for about 3 months now and she came via the Cats Protection rescue centre in Bridgend (she was originally Phoebe). Husb and I had been thinking about adopting an older cat for a while, as company for our elderly Naughty Tortie, Sparta Puss. Older cats are much harder to place, people want kittens. Black cats get overlooked too – some people think they’re bad luck, others think they’re not photogenic enough for the Internet.

Drawing From Imagination

A few days ago I did a short online art course, the Saturday Sketch Club with the Royal Academy of Arts. The session was about drawing from the imagination with the artist Emyr Williams. It was so good for me because it’s something I just don’t normally do, I like to work from what’s in front of me.

We started by drawing random curves (left above) all over a sheet of paper, I used a Chinagraph pencil. Then we added more curves to parts of it to try and create a tree from the space (top image). At no time did we look at a tree. It was inspired by the tree drawings and paintings of Piet Mondrian (right above).

I’d admired Mondrian’s trees for some time, they’re so different to his eventual rigid geometric paintings. This drawing exercise was about 10 minutes.

Shlug And Pants!

The singer in the Shlug band performs in his pants. That’s British pants, not American pants. He performs in his kecks. His trons. His undies. And he’s brilliant. And the band is brilliant. I sketched them recently at Hangar 18 in the Swansea Fringe.

Shlug’s pants.

I did the portrait sketch with Nitram charcoal and the scribbled pants with a Faber Castell Pitt drawing pen.

High Speed Shlug!

Here’s a few speed sketches I did of the very fast and furious band Shlug at The Swansea Fringe recently. Incredibly loud and rapid music and a lead singer who doesn’t stop, rapidly becoming one of my favourite bands. It’s a challenge to draw that quickly, especially in a dark venue (Hangar 18) with lots of jostling going on. But I like a challenge.

It’s hard to get a likeness with speed sketching, but what’s really good is that it forces you to get down the most essential components of the figure.

I messed around with this detail from one of the sketches in Adobe Photoshop Gradient Map just for fun.

#Caturday! Kitty Surprise!

It’s #Caturday Saturday and here’s a wacky photo of a surprised Sparta Puss with a little kitty pal who looks, frankly, a bit wooden 😉

Swansea Fringe 2023: Shlug 1

One of Shlug in charcoal at Hangar 18 during Swansea Fringe . More of Shlug to come.

FREE Printmaking Demos in Swansea.

2 – 3.30pm, Saturday 21st October 2023 at Mission Gallery (click on link for free Eventbrite ticket)

Printmaking Demonstrations with Swansea Print Workshop Members, Rosie Scribblah, Anne Gullick and Louise Hughes.

Join us at Mission Gallery as we experience three printmakers showcasing their practice. This free demonstration session will give you a glimpse of how they work and allow you to chat with the artists whilst they work.

2pm: Linocut demonstration with Rosie Scribblah

My printmaking practice is based on drawing from life. I carry a sketchbook wherever I go, and I reinterpret these drawings into linocuts and woodcuts, monotypes, and screenprints. I’m not particularly precious about the medium; I often combine different printmaking techniques on one piece of work.

Using her existing blocks, Rosie will be printing her Mari Lwyd designs onto monotype papers. She’ll also be bringing ‘flat-pack Mari’ to the gallery!

2.30pm: Collagraph demonstration with Anne Gullick

The natural world provides me with plenty of inspiration. I try to capture textural qualities, colours, patterns and forms and incorporate them into my work using mixed media techniques and processes.

Anne will share her block-making process, and demonstrate how to impress marks to create imagery using a variety of tools. She’ll carefully apply ink, allowing for tonal variety and strength of line, and she’ll print onto a range of prepared papers.

3pm: Gelli Print demonstration with Louise Hughes

As a retired educationist, avid traveller and wildlife photographer, I am developing a new artistic avenue as a printmaker.

This is a relatively new method of printmaking without the need of a press. Louise will show us how to apply ink using a brayer onto a soft gelatine plate. She’ll use objects and stencils to mask the plate and transfer textured images to paper.