Tag Archives: @GlynnVivian

Alban Hefin: Summer Solstice

22 Jun

Mynyddbach Midsummer

Husb and I caught the midsummer sunset at Mynyddbach Common, one of the city’s high points, last night just before 9.40pm.

midsummer 2

 

 

 

The colours were extraordinary and my digital camera didn’t really catch the range of colours in the lower sky. Of course, I had to have a scribble, with Daler Rowney artist quality soft pastels.

 

 

 

 

 

 

 

 

 

 

 

Turning Over A New Page….

19 Jun

sheep skull 2

I do quite a bit of teaching, to adults, and many have a big problem with drawing, they feel that they can’t draw and that when they try, they get very demoralised because “it isn’t perfect”. So many people have unrealistic expectations about drawing and don’t realise that, like any skill, it takes commitment, practice and dedication. They also don’t realise that even professional artists don’t get perfection every time we put pen to paper, or even most of the time. I started drawing from a sheep skull earlier today and the first one (below) was a bit rubbish. But instead of giving up, I turned over a new page and started again, scribbling away with a ballpoint pen and producing something I’m happier with.

Sheep skull 1

 

 

 

 

 

Scribbling Heads

17 Jun

Glynn Vivian 2

And here’s the last drawing I did at the Glynn Vivian art gallery in Swansea the other evening. Husb and I went to the private view and curators’ talk for the new drawing exhibition, “Hand Drawn Action Packed“. It’s a really good show and it’s free entry too. I scribbled these heads into my little A6 hardbacked sketchbook, using a ballpoint pen. I like ballpoint for sketchbook work, it flows easily and gives a lovely scribble … and that’s what I’m about.

Fitting It In

16 Jun

 

Glynn Vivian 1

Husb and I were at the preview of the new drawing exhibition, “Hand Drawn Action Packed” at Swansea’s most excellent Glynn Vivian art gallery the other evening. I scribbled of course, which was fitting, given that it’s a drawing exhibition.  I find it difficult to cram an entire subject onto the page – I was always criticised when I was in art college for this. I used to point out that Egon Schiele and Käthe Kollwitz often did the same – and if it’s okay for them ……. Anyway, I solved it by putting the bottom of her legs onto a different part of the page.

A Captive Audience

15 Jun

 

Glynn Vivian 5

The Glynn Vivian Art Gallery in Swansea has a fabulous drawing exhibition, “Hand Drawn Action Packed“, which opened with a guided talk from the show’s curators, Roger Malbert and Antonia Shaw. These events are always good for a quick scribble, people are generally quite still. I always carry a sketchbook – this is an A6 size hardbound one and I prefer to draw in ballpoint pen on this scale.

Glynn Vivian 4

And a captive audience is good practice for drawing a crowd, getting the perspective and proportions right, without too much moving around.

There are ten artists featured, Marcel Dzama | Marcel van Eeden | Inci Eviner | Yun-Fei Ji | William Kentridge | Nalini Malani | Otobong Nkanga | Raymond Pettibon | Amy Sillman | Rinus Van de Velde.

I liked them all but particularly William Kentridge, Rinus Van de Velde and Nalini Malani.

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