Building a screenprint step by step. It’s a lot of processes and each one has to be exact and tried out as a trial proof at each stage. Here’s the photoscreen of the little knight (above) and here he is printed in cobalt blue (below). I’m happy with the little chap. I’mContinue reading “Step By Step”
Tag Archives: printmaking
International Womens’ Day 2020
International Womens’ Day 2020 is coming up fast and my fellow artist Patti McJones and I have been asked to organise this year’s event at Cinema & Co. It’ll be our fourth year in this great venue. If you’re in Swansea on March 12th around 5.30 – 7.30, you’re very welcome to join usContinue reading “International Womens’ Day 2020”
A Soft Squeegee And A Vacuum Press
I cracked on with my trial proofs today at Swansea Print Workshop. I exposed and developed the screens yesterday, and today I mixed up some inks and tried out the screens. I’m very pleased with the quality and resolution. I’m using aluminium screens with 120 mesh from Screenstretch and Azocol photosensitive liquid stencil. Continue reading “A Soft Squeegee And A Vacuum Press”
Exposing The Dragon
After the block printing over the weekend, I moved on to the next phase of the multi-media print designed by the artist Jamie Reid. I worked with Kara Seaman at Swansea Print Workshop to coat two silkscreens with Azocol photosensitive solution and after they dried, exposed them each with a transparency in the UVContinue reading “Exposing The Dragon”
And …… Print
The little lino block is finished, the paper is cut, the work station is set up, so today I started printing using Cranfield Caligo Safewash relief ink in black onto Hahnemuehle paper. It’s underway!!!!! I’m developing an edition of mixed media prints for GS Artists from an original by Jamie Reid. There is aContinue reading “And …… Print”
Finishing The Lino Block
I made the finishing touches to my little lino block “Revenge” today, removing lino from around the edge and cutting it down to size. Then I cut the paper. I sourced a lovely sheet of Hahnemulle German paper, 230gsm, that’s a perfect weight and a lovely velvety surface. I’ll get nearly 80 pieces from it.Continue reading “Finishing The Lino Block”
First Proofing
I did some first proofs from my little lino today, using Cranfield Caligo Safewash relief ink onto four different papers. From the bottom – Hosho, Zercall, Somerset and Bockingford. The Hosho was printed by hand, it’s so fine that I can press the back with my finger and it lifts the ink. The Zercoll wasContinue reading “First Proofing”
Slow Work
The reality of making a work of art, cutting away at a small lino block using a very small tool and making the tiniest of cuts while hoping that I don’t cut the wrong bit. It’s slow work. I won’t try to cut every last detail at the first go, I’ll cut close but notContinue reading “Slow Work”
Carry On Cutting
I carried on cutting from my brown lino today, the first stage of a collaborative print with GS Artists and Jamie Reid.
Finally ….. Again ……
I know I said a few days ago that I woudn’t post any more Mari Lwyds until next year, but then I found the little lino I cut before Xmas and forgotten about. So I printed up a few today at Swansea Print Workshop, using Caligo Cranfield Safe Wash ink in black onto Hosho paper.Continue reading “Finally ….. Again ……”
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