Tag Archives: Tags:@RosieScribblah

Cornflour And Vinyl

I carved a few small vinyl blocks today, based on my field drawings a few years back when I travelled around South Wales with pre-historian Dewi Bowen and film-maker Melvyn Williams. Dewi was researching his book, “Hunting the Wild Megalith“. I used cornflour sprinkled onto the blocks today, to get an idea of the carvingContinue reading “Cornflour And Vinyl”

An Angular Approach

This is one of the longer poses I drew at a recent life drawing session. I really like the angular approach I took, it helped me to analyse the face of a model I hadn’t worked with before. I think this one shows a lot of promise to take forward as a linocut.

Getting Used To A Face

Working with a new model at last week’s life drawing session, and most of my time was spent analysing and measuring and trying to get things right. She has fantastic hair.

The Process Of The Portrait: 3

I did a first proof of my new linocut portrait this week. I did as much carving as I thought necessary, following my decision to almost treat the flesh like a geographical feature (see here), and decided to print one to see what I had. I’m not 100% happy with it but I think I’mContinue reading “The Process Of The Portrait: 3”

Portrait Drawing: Week 10

Last night was my 10th life drawing session since I started back at Swansea Print Workshop after a long break (see here) and here are the warm-up sketches. I’m aiming to improve my portrait drawing over the next year. There are two 5 minute sketches then a 15 minute one. I used a graphite block onto aContinue reading “Portrait Drawing: Week 10”

Inspired By Suzanne

There are a lot of artists I really love, and two of those I love most are Suzanne Valadon and Henri de Toulouse-Lautrec. I saw a painting called “The Hangover” recently for the first time and it’s a portrait of Suzanne by Henri. Wonderful. Two of my favourite artists in one artwork! Here’s a linkContinue reading “Inspired By Suzanne”

The Process Of The Portrait: 2

I had to make some decisions today on how I would represent the skin in my portrait. I had cut around the main line drawing, I’ll refine it later, but the question then is do I carve out the main area of skin or not? The model has darker skin so I didn’t want toContinue reading “The Process Of The Portrait: 2”

The Process Of The Portrait:1

I carried on carving my little lino block portrait of one of the life models I work with at Swansea Print Workshop. I’ve done her hair and the outline of the main lines of her face, now I have to decide how I’m going to cut the rest. Lots of things I could do. Decisions…