Reblogging this spoof of political life in Wales. If you haven’t read it before, here’s a chance to catch up. Very funny weekly blog.
It’s Physical
Carrying on with the small full-colour monotypes that I did a few days ago. It was hard work being on my feet for hours on end. The lightbox is too high to sit down to work into the plates and I prefer to stand anyway; it’s a physical thing and I think my mark-making is better when I’m standing. Something to do with posture maybe? I’m working in sweeping gestures with rags and scrim (tarlatan) onto the inked perspex plate. I’m trying to get an expressionistic feel to my landscape studies from Pakistan, quite different to the anatomical details of my nudes.
The slides show the first pressing from the yellow plate, the second with magenta overlaid and the final full colour print after the cyan plate has been printed, giving a range of colours from very dark blues, purples and greens to pale pinks, yellows and oranges. You have to know your colour theory to work with this medium. There is more detail about the method on my website here.
More Of The Same
I had a marathon monotype session at Swansea Print Workshop yesterday and produced 4 full colour monotypes and 4 ‘ghost’ monotypes which is a record for me. I was corpsed at the end of it though. I drew the yellow and red plates in broad strokes with cotton rags and scrim (tarlatan). On the final, blue, plate I worked with tiny strokes and stabs with the scrim, covering the surface of the ink with tiny, tiny marks. When this was printed over the other two colours, it gave a soft twilight effect.
The slides show the prints taken from, firstly, the yellow plate, then the red overprinted onto the yellow, then the blue printed over the yellow/red. Finally, the ghost is produced by putting the plate through the press a second time to pick up the faint remaining ink, resulting in a ghostly image. I used Caligo ‘Safewash’ oil-based litho/relief inks, which give lovely intense colours with the added advantage of being easily cleaned in warm soapy water. Takes ages off the cleaning process. You can read more about the process here.
On My Feet All Day
I’m working on a series of full colour reduction monotypes at the moment and I spent all day at Swansea Print Workshop, on my feet! I’m exhausted. People don’t realise how tiring art can be. The series is based on small pastel drawings I did when I was in Pakistan earlier this year. This technique uses a perspex plate to make three drawings into ink; the first in Process Yellow, the second in Process Magenta and the third in Process Cyan. They are printed in this order to give a full colour image. The plates are put through the press a second time to give a ‘ghost’ monotype.
I used Caligo relief inks, the water washable ones, onto BFK Rives paper, 250gsm. You can read more about the technique here. Now I’m off to bed 🙂
Quality Counts
I spent a couple of hours at Swansea Print Workshop yesterday and carried on with the series of small monotypes based on impressionistic drawings of the Punjabi landscape I travelled through earlier this year. The originals were drawn with Daler Rowney artist quality soft oil pastels into a Khadi handmade paper sketchbook. It’s important to use the best quality materials otherwise the artwork won’t last.
Someone asked me for advice a while ago; she’d bought a large pastel drawing and had it framed with archival quality materials. It was hung on a dry interior wall out of direct light and nowhere near a radiator but it had faded almost to nothing over the five years she’d had it. It was obvious that the artist had used inferior, probably student quality, pastels and hadn’t used top quality, acid-free paper.
In the interim, the artist had died so there was nothing she could do about it. This monotype is printed onto BFK Rives handmade paper, 250gsm with Caligo litho/relief oil-based inks. It should last a few centuries.
Phlebotomy
Another hospital visit today, this time taking a relative to the phlebotomy department for blood tests. That’s three relatives in hospital for some reason over the past 2 weeks. Thank goodness for the NHS. This is free apart from the costs of getting there. Of course, we pay through our taxes and national insurance, but it’s when things like this happen that you realise how lucky we are. I had a quick scribble in the waiting room, drawing into my little spotty A6 sketchbook with Faber Castell Pitt drawing pens, sizes S, F and B and a graphite pencil (B).
Curry and Sketching
We had two young relatives visiting this evening so we took them for a curry at the local curry house, The Vojon. Fantastic food there. Had a Handi Lamb Polongwala and garlic rice. mmmmmmm. I did some quick sketching of people nearby in my little A6 spotty sketchbook with a Faber Castell Pitt drawing pen, size S. I forgot to take my glasses so I didn’t get to see the sketch properly until I got home.
The Road
YAAYYY Notsogreatdictator Smith is back with his spoof on political life in Wales. Well worth a punt
First Pick Your Nuts
It’s Autumn, it’s walnut season and my chum, artist Melanie Ezra, has discovered some walnut trees near her home. She gave me some she picked. I read somewhere that walnut skins make very good ink, so I’ve started to prepare them. I have an allergy to walnuts, they interfere with my breathing, so I wore rubber gloves, which is a good idea anyway because a dark brown liquid oozes out as soon as the skin is pierced and it stains.
I cut the skins out and then scrubbed the nuts to remove the mushy brown stuff that was sticking to them. It was hard to remove so I rubbed them hard with a metal scourer. Although the skin and pulp are fairly soft, the nuts are hard and wrinkled.
You can see how much they stained the yellow gloves. Tomorrow I’ll be putting the skins into a slow cooker to extract the ink.
Cat At The End Of A Long Day
Been away today, across the border in England and just got back. It was a long day. The cats were pleased to see us and Ming the Merciless snuggled down on the stool next to my feet, in pink slippers and purple socks. My feet, that is, not Ming. It’s nice to go visiting but it’s also lovely to come home. I drew this with my Samsung Galaxy Tablet Note 8 using the free Markers app.
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