Setting The Type.

I spent a happy couple of hours at Swansea Print Workshop this afternoon, experimenting with the vintage wooden typefaces to design my next little experiment in letterpress. I had more or less settled on this one but then I couldn’t find any quoins to hold it together, so I’ll have to go back to finishContinue reading “Setting The Type.”

Playing With New Toy.

My new toy came through the post today, a box of Caran d’Ache Neo-Pastel colours. For a long time now I’ve been following the blog of USA based artist Aletha Kuschan and I’ve been so impressed by her work, particularly her lovely vibrant pastel drawings. She kindly told me what she used for them. SoContinue reading “Playing With New Toy.”

#StandingStoneSunday: The Sketchbook Stones

When I was travelling around South Wales studying standing stones with pre-historian Dewi Bowen and filmmaker Melvyn Williams, I generally worked onto large sheets of prepared paper. But sometimes I travelled light with just a brown paper sketchbook and it gave me a different insight into what I was drawing, I focused more on theContinue reading “#StandingStoneSunday: The Sketchbook Stones”

Archive Life Drawing: 1

I’ve been browsing through some of my archives and seeing loads of work I’d forgotten about. This is from 10 years ago, working with an older male model, John. I went through a brief phase of drawing onto collaged paper and mixing up my drawing materials – charcoal, conte crayon and oil bars. I don’tContinue reading “Archive Life Drawing: 1”

#StandingStoneSunday.

It’s Standing Stone Sunday on social media again and I’ve chosen a strange little drawing I did of a relatively local monument, Maen Ceti (Arthur’s Stone) at Cefn Bryn on the Gower Peninsula. It’s a huge magnificent megalith in beautiful countryside and it’s easy to get distracted and concentrate on the surroundings when I’m drawingContinue reading “#StandingStoneSunday.”

Double Vision.

I tried this neat trick with the two letterpress pieces I did recently at Swansea Print Workshop. After the first print, I moved the paper slightly and put it back through the press and it picked up the ghost from the remaining ink on the wooden blocks.

Grrrr!!

I played around with Letterpress again at Swansea Print Workshop this week. Last week I did a piece using Intaglio Printmaker’s relief inks and this week tried out Cranfield Caligo Safewash, both times using a rainbow roll. I found little to choose between them, to be honest. The Safewash is slightly runnier and less stickyContinue reading “Grrrr!!”

Rainbow Type.

I printed the type form I put together at the weekend, using a rainbow roll of Pthalo Green and Rhodamine Red oil-based relief inks. I printed with Swansea Print Workshop‘s Columbian Press onto Kent paper. I love the way the well-worn vintage letters have dints and dimples and rough areas that add to the characterContinue reading “Rainbow Type.”