There’s an Open Weekend at Swansea Print Workshop coming up (see below) and I’m sorting out some of my work to put on sale. I’ve been doing some little linocut prints onto postcards so I’ll pop these into small frames and sell them at relatively low prices. They are all embellished with chine collé, usingContinue reading “#Caturday: Two Cats And A Horse”
Tag Archives: grey lino
#Caturday: Winter Window
It’s #Caturday Saturday again and here that little block I cut last week, printed in black with a touch of gold foil chine collé highlighting the moon. The foil is from sweets (candies); there are fewer manufacturers making them these days, I find them in upmarket retailers and traditional old-fashioned sweet shops.
The Cornflour Trick!
I’ve seen this trick on social media, using cornflour to take a look at a carved lino block, to see if it’s ready or needs more cutting. This is the first time I’ve tried it and it works! Yeah! I can see one or two bits on the cat block where I might do aContinue reading “The Cornflour Trick!”
Proofing A Portrait Print
I transferred my portrait drawing to a block of traditional grey lino this week, carved it and took the first proof print from it. I’m quite pleased with the resule. I’m being very strict with time and I did this process from the first pencil mark on paper, through 9 drawings, carving the block andContinue reading “Proofing A Portrait Print”
Winter Cat
I’ve got a community arts teaching session coming up this week, we’ll be doing Xmas / Winter-themed lino cuts. I’m getting one prepared in advance, I’ve drawn the design onto a piece of traditional grey lino, ready to cut. This traditional material is made from linseed oil, pine resin and wood flour onto a juteContinue reading “Winter Cat”
Transfer And Carve
Last week I did a series of portrait drawings at Swansea Print Workshop’s Life Drawing Group. I chose the best likeness, the last drawing as it happened, and I transferred it to a block of traditional grey lino and then started carving. The drawings took 2.5 hours, the transfer about 15 minutes and so farContinue reading “Transfer And Carve”
Ribbons And Bells.
I’m carrying on cutting my practice piece, carving some bells and ribbons that will adorn the head of the Mari Lwyd. The bells are quite a challenge. I’m using Flexcut tools kept sharp with a Slip Strop into traditional grey hessian-backed lino. I drew directly onto the lino with a Faber Castell Pitt drawing pen,Continue reading “Ribbons And Bells.”
Blooded Myself…Again!
I’ve cut the little eye of the Mari Lwyd, a practice run for my next large-ish linocut. I’m using traditional grey, hessian-backed lino and Flexcut tools and a Slip Strop to keep them sharp. I blooded myself today! Still do it after all these years!
First Ink.
I love that moment when I roll the first layer of ink onto a new lino block, seeing the image appear out of the light grey surface. It always gives me a thrill. It’s never the same again because when you clean the block at the end of a session, the light grey bits getContinue reading “First Ink.”
A First Proof
I did this first proof from a small lino block that is an experimental detail of a much larger image I am working on for something that’s a secret just yet. I wanted to try out different marks, especially using some of the tools I hardly ever look at. I’m liking the direction this isContinue reading “A First Proof”
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