Had a rotten cold today so I worked from home and caught up with loads of admin stuff – so boring but needed to be done. I didn’t feel like drawing so I had a play around with Adobe Photoshop. I don’t know why, but I don’t really think of it as art. TheContinue reading “Faffing About With Photoshop”
Tag Archives: printmaking
Dystopia In My Studio.
Elysium Artspace is sponsoring an international painting competition, BEEP, in May and I thought I’d go for it. Now, I’m a printmaker and a scribbler, not a dauber, so I’ve decided to approach it from that angle, using printmaking and drawing tools to create a painting. Normally my work is quite simple and self-contained, usingContinue reading “Dystopia In My Studio.”
In The Footsteps Of Marco Polo.
I travelled around Pakistan about five years ago in a bus with a handful of other artists from Wales, some Pakistani friends and a sizeable group of Vikings. It was wonderful and it was the first time I had made a real effort to use a travel sketchbook instead of taking photos. I’d had aContinue reading “In The Footsteps Of Marco Polo.”
Little Orange Kitty
Mostly I work with human figures but now and again, for a bit of light relief I use animals as my subjects, usually cats because they have enslaved me and I get plenty of practice drawing them. This is a small lino block print I did of Sparta. It’s a reduction block print, aContinue reading “Little Orange Kitty”
Experiments On The Dark Side
I’m an unashamed printmaker and scribbler and I don’t paint. Don’t get it, don’t understand it, don’t like canvas and brushes. Give me squeegees and rollers and barens and presses any day. So I thought I’d enter an international painting competition. Yeah, I go looking for trouble. So I decided I’d try and construct aContinue reading “Experiments On The Dark Side”
Two Jugs And A Sugar Bowl
Does what it says on the tin, really. Didn’t have anything interesting to draw today as I spent most of it down at the Print Workshop, printing up a block print and a drypoint and I forgot to take photos of what I did to blog. So I grabbed these and stuck them on aContinue reading “Two Jugs And A Sugar Bowl”
The Final Proof [female nude]
Today I went back to Swansea Print Workshop for the final session of drypoint training. Yesterday I managed to pull a first proof [on the left] and this morning I used it to guide me while I did a lot more mark-making into the paper drypoint plates. I added a lot more cross hatchingContinue reading “The Final Proof [female nude]”
Come Up And See My Etching [female nude]
I spent today at Swansea Print Workshop learning how to do three-colour separation drypoint, which is similar to etching. You transfer a drawing to three separate, identically-sized paper drypoint plates. You use a drypoint needle to scratch your drawings into the plates, using your original drawing as a guide. Each plate is inked up withContinue reading “Come Up And See My Etching [female nude]”
A Man Ablaze With Energy [male nude]
One of my favourite methods of printmaking is the three-colour separation monotype, which is quite involved. I explain the process on my website if you want to read more about it. This image [printed onto A1 BFK Rives paper] started as a life drawing of a male nude model; he is of Asian heritageContinue reading “A Man Ablaze With Energy [male nude]”
Rocking’ The Arts And Goodbye The Brunz!
Today, husb and I took down our last exhibition at The Brunswick after three and a half years of curating! It seems like just a few months ago that we were putting up our first one with Mike Mainwaring and Kara Seaman. I looked through the list of artists who have exhibited during that timeContinue reading “Rocking’ The Arts And Goodbye The Brunz!”
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