@WomensArts – Page 42

Scribbled On Film …

Here is a short film Husb has made of scribbles from one of my sketchbooks, out and about catching everyday life. The soundtrack is fab 😀

I was at Swansea Print Workshop this afternoon and I started working on a small circular Gelli-plate, laying down the first colour, which is Process Yellow, an intense lemon. I’m using Caligo Safe Wash Relief ink mixed 50:50 with Extender to increase translucency and the texture is created with a net that lemons were soldContinue reading “Lemon Gelli”

Inspired By The Dinner Party: Hatshepsut

I’ve hit a creative block! It happens. I’ve found that a useful way to deal with it is to do some technical exercises in my sketchbooks until I’m unblocked. I was having a bit of a reminisce and remembered going to see Judy Chicago’s Dinner Party in London way back when. I can’t remember whereContinue reading “Inspired By The Dinner Party: Hatshepsut”

#StandingStoneSunday : Pentre Ifan

Here’s one from the archives for #StandingStoneSunday. I can’t remember when I did this, probably around 10 years ago. I marbled some paper in my studio, in tones of grey and took some of it with me when Husb and I visited the spectacular Pentre Ifan monument in Pembrokeshire. I drew onto it with blocksContinue reading “#StandingStoneSunday : Pentre Ifan”

From My Archives: Concertina Screenprint

Here’s a screenprinted concertina booklet I made in 2018, 2 years BC (Before Covid) at a weekend workshop with the inspirational Kelly Stewart. I used motifs from my collaborative project with Dewi Bowen and Melvyn Williams, Hunting The Wild Megalith. Kelly will be running another weekend of screenprinting at Swansea Print Workshop at the endContinue reading “From My Archives: Concertina Screenprint”

#StandingStoneSunday: A Favourite.

It’s #StandingStoneSunday again and I’m posting an old favourite, Y Garreg Coch (The Red Stone) in Carmarthenshire.

GrrrRR

Here’s the little Type arrangement printed up. I’ve been trying out different ink / paper combos and I think this is the best one for me. The ink is Cranfield Safe-Wash Relief, in Process Cyan and Process Magenta with a dab of Extender in the middle. The paper is HoSho, printed on the smooth sideContinue reading “GrrrRR”

Good Wood.

I was at Swansea Print Workshop this afternoon and set up some of the beautiful vintage wooden type to carry on my experiments to find a good combination of ink and paper. The wood is so beautiful, each piece shows the patina of many years of inking and cleaning.

Quick And Little.

Here’s another little sketch from the recent heavy metal gig I went to. These scribbles are small and very quick but they’re important, they train your eye and your hand to work together, and to focus on the essentials before you. Artist’s sketchbooks are a record of our practice, because art is something that hasContinue reading “Quick And Little.”

The Triples.

I carried on with my large paintings on paper, 5 at the same time. I worked on top of the pink foreground I’d blocked out with a Dioxazine Purple wash, sketching in faces and bodies of women and girls, in threes, triples. It’s a very basic starting point. I’m working entirely from my imagination, noContinue reading “The Triples.”