Category Archives: Printmaking

What Am I Up To Now?

I’m doing a short residency at Galerie Simpson in Swansea’s High Street and I’m working on something new, right out of my comfort zone. Here’s the beginning……..   I’m also continuing my “en plein air” journey of discovery with prehistorian  Dewi Bowen  and filmmaker Melvyn Williams as we travel along the route of the legendary Boar Hunt, YContinue reading “What Am I Up To Now?”

It’s #Caturday!

Caturday, an Internet phenomenon. Like cats. I read a theory a while ago about why the Internet has been taken over by cats. It reckoned that dog owners have always had a chance to meet other doggy types because they walk their dogs and take them to training schools and there are dog clubs andContinue reading “It’s #Caturday!”

Shameless Self Promotion

Oh yes! Husb and I are off to The Workers Gallery in Ynyshir tomorrow to set up my solo show, ‘Yr Helfa / The Hunt‘ which opens on September the 1st and carries on through to September the 24th. BUT, we’re not having an opening event, instead we’re having a HIGH TEA on Saturday SeptemberContinue reading “Shameless Self Promotion”

Pop Goes The Bluestone

The last Neolithic drawing for a while…….

Coffee And Spit Bite

I’m going to be at Swansea Print Workshop tomorrow and I’ll be preparing some aluminium plates ready for some coffee bite etching, using some of my drawings of Neolithic stone monuments for inspiration. Here’s a blog I did a while back about this technique, which was invented by Andrew Baldwin of Aberystwyth University, an expertContinue reading “Coffee And Spit Bite”

Slicing And Dicing

I’m slicing and dicing my ancestral stones! I’ve put my drawings of Neolithic monuments into Adobe Photoshop and I’m designing some merchandise for my solo show at The Worker’s Gallery in September. I’ll have original drawings, lino prints and etchings for the exhibition but not everyone can afford original art – or may not haveContinue reading “Slicing And Dicing”

Heavy Embossing

My little scraps of a collagraph print that didn’t work out are proving to be a good base for my imaginary sketches of ancient standing stones. The print is heavily embossed and I am working with the underlying texture as I’m drawing, which influences the image and takes me a bit further into abstraction andContinue reading “Heavy Embossing”