Tag Archives: Singer sewing machines

A Pandemic Mask

8 Apr

Mask

So after several days of cutting cloth, cutting blocks, printing and sewing here’s my first pandemic mask. I carved the word “isolate” into a little lino block as the basis for the work. I hope it will be the first of many.

sewing 1

I learnt as I went along. My sewing skills are rusty – so are some of my pins! I didn’t allow enough time for the ink to dry – it’s much quicker on paper.

sewing 2

I used my lovely hand cranked Edwardian Singer sewing machine, now an antique – it was made in 1904. It has this beautiful sphynx-like decoration. Gorgeous.

 

 

Ideas And Fish Pie

5 Apr

masks 2

I’ve been thinking a lot since the lockdown started about doing some artwork based around the Covid19 virus and the way our lives have changed. But I’m not someone who can force it and it’s had to mull around inside for a while and now the ideas are creeping out from wherever they come from.

masks 1

I had a spare cotton sheet hanging around, I bought the wrong size and I’ve been wondering what to do with it since. It’s a fitted sheet so I cut off the elasticated bits – they’re useful – and then cut a number of rectangles, 15 x 22 cms. The next stage is to carve a small lino block …… tomorrow probably …..

fish pie

And I made a classic fish pie for tea. Proper comfort food. Suits the times we’re living in. There’s enough left over for tomorrow too. I love eating leftovers – waste not, want not as my Nana used to say xxx

 

 

 

The Edwardian Singer

3 Apr

corona 1

So I’m finally getting some creative ideas from the pandemic lockdown and I’m getting my kit together to make a start this weekend. I’ll be starting with some sewing, using my lovely Edwardian Singer machine. I love it and use it a lot, it’s better than the electric machines I’ve had over the years. Singers have a metal plate with a serial number and you can look it up online to find the date. This one is from 1904, in the middle of the reign of Edward 7th.

And Breathe!

30 Nov

So, after two and a half months of research, preparation, creative blocks, blood, sweat and a lot of hard work, I finally finished carving my very large block of wood and did the first print. And breathe! The block has been sealed with three coats of shellac and methylated spirits (mixed 50:50) and I am using a Japanese lightweight paper, Hosho, in white for the main print and mulberry papers in red and blue for chine collé. The ink is Caligo / Cranfield’s Safe Wash and I’m taking the print by hand with Japanese barens.

 

I inked up mostly in black with some words picked out in red that I did with a different roller. I also prepared and applied mulberry chine collé. Then Husb lent me a hand to put the Hosho paper onto the block and to rub the back with the Japanese barens.

5 first proof

And here it comes. The first proof. The rest will be revealed in the New Year 😀 This is a commission for the Sky Art 50 programming which is scheduled for March 2019.

 

sky-arts art 50 mash up

 

 

What Am I Up To Now? [7]

25 Oct

stitched-up

Still working on a new piece of art at my residency at Galerie Simpson on Swansea’s High Street. I’m taking my printmaking out of two dimensions into three and it’s certainly been challenging. Today I’ve been sewing paper together on my lovely Edwardian Singer sewing machine and then overstitching my little stamped prints of German artist Käthe Kollwitz, who is a hero of mine.

stitched-up-2

My residency will be ending this weekend so I’m having an Open Studio on Saturday, 10.00 to 4.00 so that people can pop in and see what I’ve been up to during the past couple of weeks. There will be tea, coffee and lashings of home-made cake as well. Of course 😀

 

There’s more of my art to be seen in my online Gallery in Artfinder, please click on the image below to take a look. Thank you.

Quoit

 

Stitching And Tying

6 Jan

I’m working flat out to finish this print installation made up of almost 50 small prints on Shiohara paper sewn onto handmade Tate Gallery Indian paper. I’m assembling them onto a wooden clothes horse. I had originally intended to put them on with wooden pegs but the bars are too thick for pegs so I’m stitching ribbon onto the prints and then tying them on. I’m getting there ….. maybe another couple of hours of sewing to go.

nearly there

I’ve been using a gorgeous antique Singer sewing machine, Edwardian and over 110 years old, and here’s a short video of it in action. I love old machines – I get mechanics, so easy to fix, just a screwdriver and maybe a pair of pliers. This installation will be exhibited soon at the Penarth Pier Pavilion Gallery as part of a joint exhibition between Swansea and Cardiff Print Workshops. Please click here for more details.

The Beautiful Machine

31 Dec

sewing 1

A while back, I had a small rubber stamp made up from a silkscreen print I did based on the fabulous Frida Kahlo, an artist I admire very much. I printed it onto small leftover pieces of a beautiful Japanese Shiohara paper that I had been using for another print job.

sewing 6

I had been wondering what to do with them and I finally decided on making them up into a self-contained installation that I will be building over the next week.The first stage is to make them more robust  – the Shiohara is a lightweight tissue and won’t take a lot of handling. However, it’s also a well-made natural fibre paper and can be sewn so I made a start by sewing them onto a very robust handmade paper – 300gsm – that I’d bought at the Tate Gallery a few years ago. I’d been wondering what to do with that as well! They really suit each other.

sewing 3

I’m sewing them on an antique Singer sewing machine. It’s Edwardian and dates from around 1904 and it’s a great piece of mechanical engineering as well as being extremely beautiful. It’s so finely balanced, it’s a joy to use. I’ll be carrying on with this in a couple of days, after the holiday.

So a very happy New Year to everyone, I really appreciate you looking in at my blog. Blwyddyn Newydd Dda i chi gyd.

 

 

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