The Husb

Husb is so patient, being married to an artist means he is constantly under scrutiny and liable to be scribbled at any time. And he sometimes finds his way out of the sketchbook and into other media. This is a full-colour ‘stacking’ monotype based on a sketch I did of him when we were onContinue reading “The Husb”

Copper And Stone

I etched two plates at the recent course at Swansea Print Workshop with Andrew Baldwin of Trefeglwys Print Studio, one aluminium, one copper. I’ve just done a first proof from the copper plate. I used a hardground and the traditional technique of drawing into it with an etching needle than adding aquatint. Andrew demonstrated howContinue reading “Copper And Stone”

The First Proof!

I spent this afternoon at an Open Access session at Swansea Print Workshop, ready to take a first proof from my coffee-lift-spit-bite aluminium etching plate, developed at last weekend’s BIG Etching course with Andrew Baldwin. I chose a soft textured Somerset paper from St. Cuthbert’s Mill and Intaglio Printmaker’s Drypoint Shop Mix etching ink. It’sContinue reading “The First Proof!”

Coffee And Spit Bite

More geeky printmaking stuff from last weekend’s B.I.G. Etching course with Andrew Baldwin at Swansea Print Workshop. The aluminium plate was degreased with whiting and soy sauce to get it ready for drawing on with instant coffee solution. I forgot to take a photo of mine being drawn, but Andrew Baldwin has kindly lent meContinue reading “Coffee And Spit Bite”

BIG And Greasy

  I spent a happy but exhausting weekend at Swansea Print Workshop on a specialist course in the ‘BIG’ non-toxic etching technique, pioneered and taught by Andrew Baldwin of Trefeglwys Print Studio. Andrew has invented a new etching ‘ground’ and has also experimented with a range of household materials to take the place of someContinue reading “BIG And Greasy”

The Life Model (Female Nude)

Just back from life drawing at Swansea Print Workshop and we had an older female model this evening. I really enjoy drawing older people, bodies and faces are so interesting, lived in, expressive. It was pretty full tonight, with a wide age range of scribblers, from early 20s to 70s, great to be able toContinue reading “The Life Model (Female Nude)”

Proofing The Stones

I’m travelling around South West Wales with archaeologist Dewi Bowen who is researching his new book on Neolithic / Bronze Age monuments and I’m drawing the stones as we travel across the – mostly – wild spaces of South Wales. But I’m a printmaker as well as a scribbler and I’m developing ideas for printsContinue reading “Proofing The Stones”

Yes? No? Maybe?

I did an initial cut on a square of soft vinyl a couple of days ago, dividing the piece into 9 small squares and now I need to get an idea of whether they’re okay, which ones need more cutting, which to discard. I could ink it up and put it through a press butContinue reading “Yes? No? Maybe?”

Cutting The Stones

I do a lot of drawings and many of them become the basis of prints. I’ve selected 9 of my recent drawings of ancient Neolithic stone monuments to develop into linocuts. Well, I’m using soft cut vinyl instead of lino but the final print will look the same. The vinyl is very easy to cutContinue reading “Cutting The Stones”

People Watching

  I tend to go through phases when I make prints, making a sequence instead of random one-offs. This helps me to focus on subject matter, developing a theme and also lets me explore the technique. I did this series a couple of years back, combining transfer prints with drawing. I have hundreds, maybe thousandsContinue reading “People Watching”