This image has had quite a lengthy journey. I did the original drawing (below) of a seagull, or city centre thug around these parts, at Swansea Museum weeks ago, working with Edinburgh-based printmaker Kelly Stewart, sketching antique taxidermy birds and bugs from the Museum collections. Then I created a transparency to transferContinue reading “City Centre Thug”
Tag Archives: Rose Davies
Shellac And Meths
So the new woodblock I’m working on has been cut and is now out in the shed drying after a coat of shellac and methylated spirits in a 50:50 ratio. It needs two more coats to seal it properly so I hope to be able to take a first proof from it sometime onContinue reading “Shellac And Meths”
Pronto
I’m in printmaking mode at the moment, with a woodcut and a silkscreen in development. This woodcut will hopefully be ready for an event at Swansea’s Cinema & Co this Saturday, November 9th. It’s a free event with a screening of the marvellous film “Set Fire To The Stars“, poetry, music and new art throughoutContinue reading “Pronto”
Heads On Show
I did this suite of portrait heads based on drawings from my first visit to Pakistan a few years back. I used polyurethane foamboard, the sort used by signwriters, instead of lino or wood. The block below is the one on the left in the middle row above, inked up and printed. They’ve never beenContinue reading “Heads On Show”
Who Ate All The Pies?
Who Ate All The Pies? I spent the afternoon down at Swansea Print Workshop, working alongside other artists, heads down, printmaking. I worked with two others, preparing silkscreens with Azicol photosensitive solution. I’m going to make a photoscreen from a drawing I did recently, of a seagull during a drawing day at Swansea Museum. Continue reading “Who Ate All The Pies?”
B.I.G. And Baked
After I filed and degreased my new copper etching plates, I cleaned and prepared a section of the inking up area of Swansea Print Workshop to apply Andrew Baldwin‘s B.I.G. hard ground to the surface of my plates. It’s built up in thin layers until there’s a fine, even amount of ground on the plate.Continue reading “B.I.G. And Baked”
File And Degrease
Take a sheet of warm, shiny copper. File the edges, first with a coarse file, then two successively finer ones to make a gently bevelled edge. Smooth the corners so they are slightly rounded. Flip the sheet over and gently remove the burr around the back edge with the finest file. Then take the copperContinue reading “File And Degrease”
The Scourge Of The City
I did this drawing of a seagull a couple of weeks ago at Swansea Museum from a stuffed seagull in the Museum’s stores. I think it’s a herring gull (but I’m not sure). If it is, then it’s on the conservation danger list, which surprises me because there are thousands of them around here. They’reContinue reading “The Scourge Of The City”
The Bugs
Here’s a selection of bugs from my series of silkscreened postcard-sized prints I did recently at Swansea Print Workshop. One’s a cockchafer and the other a violet ground beetle from a collection at Swansea Museum’s archives. I printed some onto paper prepared with chine collé. I had printed sheets of handmade paper madeContinue reading “The Bugs”
A Tissue Issue
Workibng with Kelly Stewart at Swansea Print Workshop last week, I experimented with different ways to screenprint my range of drawings. I’ve always liked the chine collé technique especially with handmade paper made from recycled saris. I get it from the haberdashers in Swansea Market and it has a great texture and a some juicyContinue reading “A Tissue Issue”
