I did a lot of work today on the new artwork I’m making for the W.M.D. exhibition coming up fast. It’s part of a corset that I’ve constructed in paper. I finished the cutting and sewing and now I’m ready to stitch strips of paper stamped with the image of German Expressionist artist, the lateContinue reading “Making My Mind Up”
Category Archives: Printmaking
Making A Start
I’m making a start on a new piece of work for the International Women’s Day exhibition, W.M.D. (Women of Many Dimensions) opening at Cinema & Co on March 8th. Print and stitch inspired by an inspirational artist and one of my heroes, Käthe Kollwitz. I’m aiming for a work made from paper that doesn’t needContinue reading “Making A Start”
The Sinister Skull
I thought I had blogged all the monotypes I made from my Mari Lwyd drawings but I overlooked this one. It was the last that I did that day and maybe because I was tired and hungry, it’s probably the most sinister of the series. Mari Lwyd is actually quite a fun tradition, with lotsContinue reading “The Sinister Skull”
Annwyl Kathe
Once upon a time, the printmakers of Wingtip Press in Boise, Idaho, USA were cleaning out their flat files and found dozens of little scraps of expensive printmaking papers jamming up the drawers. Realising they probably weren’t alone with the dilemma of what to do with all those too-precious-to-throw-out leftover paper scraps, they issued an invitationContinue reading “Annwyl Kathe”
The Last Mari For Now
Here’s the last of the monotypes I made recently at Swansea Print Workshop based on my drawings of the Mari Lwyd. I used a vintage paper made by J Green and Sons supplied by the rather wonderful company The Vintage Paper Co in The Orkneys. The ink is Caligo Easy Wash Relief and the chine colléContinue reading “The Last Mari For Now”
The Right Combo
Spent the day at Swansea Print Workshop making more monotypes based on the drawings I did while I followed around two local Mari Lwyd in December and January. I’m experimenting to find the right combination of ink, paper and glue (for the chine collé). I originally used Bockingford, Somerset then switched to a vintage paperContinue reading “The Right Combo”
Printing The Plate
After preparing the plate with my image of a Mari Lwyd, I printed it on one of the smaller etching presses at Swansea Print Workshop. For this one I used a vintage paper, by J Green & Sons that was manufactured between 1969 and 1974, sourced from the Vintage Paper Co. I didn’t have to soakContinue reading “Printing The Plate”
Prepping The Plate
Working from my recent drawings of the Mari Lwyd, I developed some of them into monotypes. I used a piece of perspex (acrylic sheet) and litho / relief ink mixed with Extender (by Intaglio Printmaker). This was rollered very thinly onto the perspex and I drew into it with cotton buds, wooden skewers, scrim andContinue reading “Prepping The Plate”
Getting Ready
I’ve been popping down to Swansea Print Workshop since Xmas, experimenting with reductive monotypes based on my recent sketchbook drawings of the Mari Lwyd. As with most things, preparation is everything and here are some of my photos of getting ready. I’m trying out different papers to print on – Somerset, Bockingford, BFK Rives andContinue reading “Getting Ready”
Experimenting With The Mari
I carried on experimenting with my Mari Lwyd sketch in monotype, getting used to working the ink and how much to leave on the plate to get the best result in the print. This is the one I like best, the density of the black is good, there is plenty of definition on theContinue reading “Experimenting With The Mari”
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