I’ve finally finished the piece I’ve been working on for the exhibition ‘A Victorian Tapestri’ at the end of this week. It’s constructed of the 12 pieces that make up a Victorian corset, cut from a heavyweight Somerset paper. I coated each with cyanotype chemicals and printed them with some of my sketchbook drawings. I’ve called itContinue reading “Constrained, A Victorian Tapestri”
Category Archives: Printmaking
Sunshine Prints
I did a whole load of cyanotypes yesterday for an exhibition and I had some pieces of paper and chemicals left over so, waste not want not, I coated the paper scraps and stored them away in a folder in a dark cupboard. Today, I shrank my negatives digitally and printed them out on acetate.Continue reading “Sunshine Prints”
Blue Sunday
A while back I began a new piece of artwork, quite an ambitious one using some of my sketchbook drawings of older women and a Victorian corset pattern to create a 3D piece in cyanotype, an archaic photographic technique. I cut the pieces from some lovely Somerset Velvet paper, 12 in all, and scanned andContinue reading “Blue Sunday”
Having A Play
I started this piece a few weeks ago. It’s for an exhibition, “A Victorian Tapestri” which starts on September the 25th. I cut the 12 pieces of lovely Somerset Velvet paper from a vintage pattern for a Victorian corset. I will be coating each piece with an image in cyanotype, an archaic Victorian form of photographyContinue reading “Having A Play”
One From The Archives 9: The Cushion
Surrounded by symbolism, the interplay of shadows describes the form of the nude. This is an etching of one of the female models I work with and is developed from a nude study drawn with Renaissance materials, inspired by artwork I did for a television series about da Vinci. This type of etching allows meContinue reading “One From The Archives 9: The Cushion”
One From The Archives 8: The Mirrors
I like this style because it allows me to pick out the most essential aspects of a scene. The drawing style I use most is the ‘continuous line’ method, where I keep the pen on the paper without taking a break and restarting in another part of the drawing. I also hardly look at theContinue reading “One From The Archives 8: The Mirrors”
One From The Archives 5: The Warrior Prone
I did a small series of full colour reduction monotypes a few years ago, working with a young soldier I know who is also a life model when he’s on leave. He loves modelling and he’s really good at it. From an artist’s perspective, it’s fascinating to work with a man in the prime ofContinue reading “One From The Archives 5: The Warrior Prone”
One From The Archives :3
The Blanket Another one from the archives; this time an etching. I’ve been incorporating text into my drawings and mixed media work for some time, but it’s much harder to do so with most printmaking techniques because you have to work back to front. Luckily, the photopolymer method allows you to do this without theContinue reading “One From The Archives :3”
One From The Archives :2
The Carpet The inspiration for a piece of work can often be the slightest of things. Drawing is all about looking and the closer you look, the more you see. At first glance you see a solid figure. Look again and the texture and pattern of the background can draw you in. That’s certainlyContinue reading “One From The Archives :2”
The Bagpuss Window
People outside the UK might not know who Bagpuss is. Brits of a certain age have very fond memories of this children’s television series from way back in the 1970s. Bagpuss lived in a shop window which was full of curios and strange objects. Local artist Melanie Ezra and I have taken over an oldContinue reading “The Bagpuss Window”
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