Green Lady’s Yellow Frock

I’ve nearly finished the copy of Vladimir Tretchikoff’s “Green Lady” that I started a couple of weeks ago. I think her head is just about done now, so today I did a lot of work on the yoke of her dress. It’s an elaborate embroidered silky fabric and I’ve never painted anything like this before. I think I’m getting there, just a bit more work on the finer details and I’m done. I started this in a Zoom tutorial with Ed Sumner who runs the Cheese and Wine Painting Club on Facebook. And after wards, I made a plum tarte tatin for teatime 😀

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

The Making Of A Pandemic Painting

Here’s a short video, under 5 minutes, showing how I made this family Zoom painting, “18 people, 2 Dogs and a Cat”, from floundering at the beginning of lockdown in March 2020, through 9 months of faking famous paintings, to my first large scale original painting reflecting our family’s response to the pandemic. It’s subtitled as well. I hope you like it 😀

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Timelapse Turner

I recently finished faking a painting by JMW Turner, “Storm at Sea” and Husb made a timelapse video of me doing it. Here it is if you fancy seeing how it developed. I’ve been faking more or less every Friday throughout the pandemic lockdown, almost a year now, with Ed Sumner’s Cheese and Wine Painting Club on Facebook.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Here Come The Clouds

Here’s my latest fake, a cloud study by the British painter John Constable done yesterday at Ed Sumner’s Cheese and Wine Painting Club on Facebook. Constable made about 50 oil sketches of clouds in 1821 – 1822 and many of his paintings feature spectacular skies. This has stronger colours than Constable’s and I might give it another coat of a thin white wash to knock the colour back a bit, but I really like the drama of these colours to be honest. Here are the stages of the painting.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Recycling And Creating

I’m an educator as well as an artist and I’ve spent many years working in adult learning with people who have, for various reasons, been excluded from education to some degree. I work a couple of days a week for a national charity for people who are homeless or vulnerably housed. Covid19 lockdown has been such a challenge. We can’t bring people inside, meet in groups or even work one to one, except in an emergency. Educators all over the world have had to adapt and develop new ways of working. One of these is delivering learning online through things like Zoom. I did one of these sessions today, teaching people how to draw a skull from scratch, with just a pencil and a sheet of A4 paper and then looking at options for decorating them. I used collage on mine, it’s a good technique because it costs next to nothing. We give people gluesticks and the collage can be done with recycled junk mail and old magazines.

This neat set up has been lent to us by a local gallery, GS Artists. They’re unable to open to the public at the moment and are supporting organisations like ours to reach marginalised people, which is a lovely thing to do. They’re also running their own programme of Zoom art sessions and artists talks, which are free. Click here to find out more.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Green Cheese

She’s green and this is possibly one of the cheesiest paintings of the 20th century (1952). She’s The Green Lady (also Chinese Girl) by the Russian painter Vladimir Tretchikoff. I did a Zoom tutorial this evening with Ed Sumner, who runs the Cheese and Wine Painting Club on Facebook on Fridays. It’s a late one and I’ve just finished – shattered now and need my bed. A little bit more to do on this – softening the tones on the face, adding some highlights and putting in the detail on the yoke of her dress.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Dapping The Sunflowers

I’ve been carrying on copying this vase of sunflowers by Vincent van Gogh today. It’s not easy. I keep checking back with the original and it’s clear that Vincent used many layers of thick paint applied in streaks and dashes with a brush. The lower sunflowers look like he was dapping the paint on with a palette knife as well, to raise the surface of the paint. It’s nearly there, just a bit more work to do.

I’m working from one of Ed Sumner’s videos from the Cheese and Wine Painting Club on Facebook.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Faffing And Faking The Other Starry Night

I’ve stopped faffing and finished the copy of Starry Night On The Rhone by Vincent van Gogh that I began last Friday at Ed Sumner’s Cheese and Wine Painting Club. Vincent’s painting are surprisingly complex. The composition is fairly simple but there are layers and layers of frantic brushstrokes in a many different tones of blue, green and yellow. I got fed up with it in the end, to be honest, but I learned a lot by doing it and that’s why I started the paint club in the first place.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

The Vigil

Sometimes you see an image that jumps out at you – one that might well become iconic. This is one of those images, from a photo of the arrest of Patsy Stevenson by Hannah McKay: Credit Reuters, taken at yesterdays vigil for the murdered Sarah Everard in Clapham Common, London. Willow charcoal, gouache and watercolour on paper.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

An Arty Morning

Husb and I had an arty morning today. I carried on working on two of the paintings I’m copying at the moment and Husb did some more on his self-portrait. I’ve been doing copies every week with Ed Sumner’s Cheese and Wine Painting Club on Facebook for almost a year now and Husb began his selfie a couple of weekends ago in a Zoom tutorial with the 9to90 Creative Community at GS Artists in Swansea.

We’re both working with Liquitex Heavy Body acrylic paint onto stretched and primed canvas.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.