Tag Archives: Fabriano Accademica

Starting To Play……

13 Sep

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I took digital photos of the large work I did with oil bars (Winsor & Newton) onto paper (Fabriano Accademica) last week and downloaded one into a free Markers app on my Samsung Galaxy Note 8 tablet. I’m starting to find it quite useful to download artwork in this way, to have a play without having to get out loads of materials and risk spoiling the original. I started drawing with a fine white line, to see what would happen, with no planning and a figure has started to emerge. I wonder where this will take me?

 

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Gors Fawr, near Mynachlog-ddu in the Preseli mountains, a lush green bog fringed with glowing hills.

The Last Leg

2 Aug

prep August

I’m on the last leg of The Boar Hunt, Y Ywrch Trwyth, my quest to draw Neolithic and Bronze Age monuments across South Wales that coincide with the route of this story from The Mabinogion. Just a half dozen or so left to visit and draw, along with Rhondda-born archaeologist Dewi Bowen and Swansea film maker Melvyn Williams. I like to draw on prepared paper and I’m nearly out of it so I’ve prepared some more.

prep August 2

I stretched a very large piece of Fabriano Accademica paper onto a wall and gave it two coats of white gesso. Then I rubbed compressed charcoal into it, covering the surface densely. Then a coat of thinned gesso, applied randomly and quickly and a second coat, again brushed on roughly. Finally, I used my home-made walnut ink, which breaks up nicely over the gesso undercoat. I love the way it runs.

We’re setting off early tomorrow. I hope it stops raining!

If you want to know more about my forthcoming solo show, Yr Helfa / The Hunt, in The Worker’s Gallery in the Rhondda Valley in September, please click here.

And if you want to see some of my other artwork, please click on the image below.

Quoit

Ethereal, Insubstantial.

12 Apr
The third stone at Llechdwnni

The third stone at Llechdwnni

This is the latest of the series of drawings done en plein air out in the wilds of West Wales, the smallest of three fine stones on farmland near Llechdwnni Farm on the mountain between Ferryside and Pontyberem. I worked on top of some Fabriano Accademica paper that I had prepared with my own home-made walnut ink, diluted into several washes of different intensity. When I’m using prepared paper, I don’t decide which piece to use until I’m looking at what I’m going to draw, then I choose the one that I feel best suits the subject. The drawings are evolving, becoming more insubstantial, which seems odd given that they are massive stones, but their purpose and history are unknown and that, to me, is what makes them ethereal. I used carbon for the intense black, white conte crayon and three Daler Rowney artist pastels in a light blue and two shades of green.

The Pebble In Arthur’s Boot

22 Mar
Arthur's Stone, Cefn Bryn

Arthur’s Stone, Cefn Bryn

Today we visited Arthur’s Stone at Cefn Bryn on the Gower Peninsular, a Neolithic tomb about four and a half thousand years old. It’s a very popular destination for primary school day trips in this area and there is always a steady stream of visitors as it’s quite accessible from the road. Legend has it that King Arthur stopped across the estuary and removed a stone from his boot, throwing it right across the river where it landed in its present position and grew to a mighty size. In the late seventeenth century, a large chunk of over 10 tons fell off and still lies where it fell.

I’m still using up the recycled Fabriano Accademica paper that I had previously drawn on with my home-made walnut ink, ripping it into drawing-board sized pieces and drawing with carbon and white conte crayon. I’m keeping the drawing very simple, I don’t want to get into representational detail, I’m trying to get a feeling from the places I’m visiting and putting that down on paper, if that makes sense?

The Curate’s Egg

15 Oct

October

Tonight’s life drawing is like the Curate’s egg – good in parts. I had the most horrific foreshortening on the left hand. no matter how many times I measured it, the darn thing looked badly drawn. I used Winsor & Newton’s willow charcoal and white conte crayon onto a piece of Fabriano Accademica that I had marbled with oil paint and turpentine.

It’s late. I’m going to bed. Goodnight 😀

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